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Good Morning Blues
by Richard J Salvucci
Good Morning Blues: The Autobiography of Count Basie as told to Albert Murray William James Basie 399 Pages ISBN: 978-1-5179-0143-1 University of Minnesota Press 2016 (1985) In May 1959 Count Basie and his Orchestra played a Breakfast Dance and Barbecue," like back in Kansas City, hosted by Roulette ...
Hristo Vitchev: Charting His Own Way
by David Becker
Hristo Vitchev isn't a typical guitar hero. Supremely fluent with his instrument, the prolific composer and performer would rather communicate than show off complex technique. His albums and concerts are full of gorgeously understated performances that leave just the right amount of room for the musicians to support each other and the audience to fill in ...
Remembering Dominic Duval
by Dom Minasi
Around 1985, I got a call from a close friend and my drummer at the time, Tony Lupo. Tony and I had been friends and playing together since 1963. At that time, we were both into Be-Bop and as we grew in age, our musical tastes and interest leaned towards outside playing. Of course, we never ...
The Virtues of Jazz
by Douglas Groothuis
Any jazz aficionado knows the musical virtues of jazz, whether they are a musician, a jazz writer, or simply a committed jazz listener. In classical Western thought (that is, in the musings of cats like as Aristotle and Plato), a virtue is a kind of excellence in performance that flows from a settled habit. One who ...
Count Basie Orchestra at the Scottsdale Center for the Performing Arts
by Patricia Myers
Count Basie Orchestra Scottsdale Center for the Performing Arts Scottsdale, Arizona December 19, 2015 The Count Basie Orchestra solidified its 80-year reputation for strong swingability, inventive solo segments and supreme section cohesion during two back-to-back concerts on a tour in support of the band's first-ever Christmas-theme album. But those seasonal charts ...
Rick Hannah: Handful Of Strings
by Budd Kopman
The guitar is a deceptively simple instrument to play, as any teenager who learns the basic strumming chords, and then tries to go beyond that, in any style, will tell you. It hints at being self-contained, that the player can accompany himself. Contrapuntally however, the piano, which allows two independent hands, dwarfs the guitar, even in ...
Wardell Gray, "Forgotten Tenor:" An Interview with Filmmaker Abraham Ravett
by Victor L. Schermer
Part 1 | Part 2 | Part 3 [This is one of two interviews and an article intended to bring readers' attention to the revered but neglected tenor saxophonist, Wardell Gray, whose brief career spanned the transition from swing to bebop and whose life was cut short by sudden and tragic circumstances.]
Mundell Lowe / Lloyd Wells / Jim Ferguson: Poor Butterfly
by Dan Bilawsky
Few people could ever claim to have played and/or recorded with such a storied list of performers as Sarah Vaughan, Ben Webster, Billie Holiday, Charlie Parker, Carmen McRae, Ella Fitzgerald, Blossom Dearie, Dizzy Gillespie, Bill Evans, and Lester Young. But Mundell Lowe can. In fact, that list barely scratches the surface when it comes to the ...
Frank Vignola & Vinny Raniolo: Swing Zing!
by Jack Bowers
When a press release accompanying a new album conveys more information than is found on the album itself, the supposition must be that it was recorded hurriedly with an eye toward a similarly expeditious release. Swing Zing! pairs the estimable guitarists Frank Vignola and Vinny Raniolo, who've been working together for more than five years, with ...
Jazz Musician of the Day: Charlie Harrington
All About Jazz is celebrating Charlie Harrington's birthday today! A child prodigy, Charlie has played drums since the age of 5 and performed professionally since the age of 15. He studied with and became the protégé of jazz drumming legend Ray Bauduc Charlie later studied with classical percussionist Tim Tull. In addition to leading his own ...
