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99

Article: Album Review

Fred Hess Band: How 'Bout Now

Read "How 'Bout Now" reviewed by Jerry D'Souza


Fred Hess says that after four recordings with a quartet, he wanted to change the makeup of his group, so he added a horn: cornet player Ron Miles. The music grooves, even as Hess chooses the groove in different ways. He takes his compositions along divergent paths. There is no gainsaying which way a tune will ...

372

Article: Album Review

Fred Hess Band: How 'Bout Now

Read "How 'Bout Now" reviewed by Dan McClenaghan


If you go down the list of categories eligible for Grammy Awards, you'll find Field 10 (Jazz), category 47, which is “Best Instrumental Solo." So the Grammy folks are telling us that out of all the jazz CDs released in a given year--thousands of discs that must contain almost uncountable solos--they've been able to isolate just ...

Album

Crossed Paths

Label: Tapestry
Released: 2005
Track listing: On Perry St., Zane, In the No, Knitwit for Tara, Funhouse, The Clef's Visit Grandma's, Crossed Paths, Mystery Woman, Untying the Knot

186

Article: Album Review

Fred Hess Quartet: Crossed Paths

Read "Crossed Paths" reviewed by James Taylor


Saxophonist Fred Hess' latest release on the independent Colorado-based Tapestry label is his quartet's best. With trumpeter Ron Miles, bassist Ken Filiano, and drummer Matt Wilson, Crossed Paths features a more tight-knit unit and a composer more comfortable writing for this particular ensemble. Like eclectic trumpeter Dave Douglas, the unheralded Hess is versed ...

174

Article: Album Review

Fred Hess Quartet: Crossed Paths

Read "Crossed Paths" reviewed by AAJ Staff


Crossed Paths is state-of-the-art modern jazz. The members of Colorado tenor saxophonist Fred Hess' quartet explore his themes from every conceivable angle, ranging from skipping swing to brittle abstraction. And there's a blues, too. Hess appears to enjoy a growing reputation, and he deserves it. He's a monster musician, a saxophonist with a full, ...

208

Article: Album Review

Fred Hess Quartet: Crossed Paths

Read "Crossed Paths" reviewed by John Kelman


It's wonderful for an artist to find a group so emotionally linked to his or her conception that the music takes on a greater significance than what's on the written page. Denver-based tenor saxophonist Fred Hess found such a group for his previous release, The Long and Short of It , a record that took his ...

145

Article: Album Review

Fred Hess Quartet: Crossed Paths

Read "Crossed Paths" reviewed by Dan McClenaghan


Listening to “On Perry St.," the opening cut on Denver-based saxophonist Fred Hess' Crossed Paths --a song that thumps in on a rock-ish beat (by Matt Wilson) and a big loping bass line (by Ken Filiano), followed by some loose two horn harmony--I'm struck, on Hess's first solo of the disc, by what pretty noise the ...

Album

The Long and Short of It

Label: Tapestry
Released: 2004
Track listing: Norman Says, Skippin' In, Happened Yesterday, MLE, The Clef's go to the Big City, From Bottom to Top, The Long and Short of It, Gear Tips, The Last Trance

Album

The Long And The Short Of It

Label: Tapestry
Released: 2004
Track listing: Norman Says; Skippin

174

Article: Album Review

Fred Hess: The Long And The Short Of It

Read "The Long And The Short Of It" reviewed by Mark Corroto


Saxophonist Fred Hess writes dreamy music. Not music that is otherworldly or romantic or visionary per se, but dream inducing, at its plain meaning. His compositions beg for improvisation and its players are required to open up to the possibilities. The right mix of players is a key to making his music work. The ...


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