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King Crimson: Music is Our Friend: Live In Washington and Albany, 2021

by John Kelman
You probably know the old adage about assumptions. After seeing the current (slightly fluid) King Crimson lineup twice every time the perennially groundbreaking group made it to North American shores since 2014, with no Canadian dates available in 2021 and the COVID Delta variant running rampant across the United States, the decision was made to forego ...
Your Eggs Scrambled, Any Way You Like

by Mike Jacobs
This edition of BackTracks takes a look at a few selections that might rewire, reset, thoroughly scramble or even short-circuit the normal" music pathways of your noodle. These five selections are each capable of this in subtle or sometimes not-so-subtle ways. Everything from stylistic jumbles and conceptual twists to abandonment of premeditated form and utter mayhem ...
Skerebotte Fatta: Appaz

by Mark Corroto
Most AAJers, be they writers or readers, probably don't speak Polish. Reading over the composition titles listed on Appaz by the Polish duo Jan Małkowski and Dominik Mokrzewski one might think they are just more words from a foreign tongue. They are, but its language is semordnilap, in other words, names spelled backwards. The title track ...
The Ed Palermo Big Band Releases A Blues-Rich Tribute To The Music Of Edgar Winter

The Ed Palermo Big Band Delivers an Entrancing Tribute to Legendary Texas Blues/Jazz Multi-Instrumentalist Edgar Winter with I’ve Got News For You: The Music of Edgar Winter. An Instrumental and Vocal Tour de Force, the Sky Cat Records Release Features Palermo’s Swaggering 17-Piece Jazz Orchestra Joyfully Conjuring a Soul-filled, Blues-Drenched Sound. For acclaimed jazz big band ...
Hiromi: Dancing and Smiling With Every Note

by Jim Worsley
Few musicians have impacted the jazz and music world with the zeal and character of Hiromi. She paints on the finest palette, on par with the finest wine or richest chocolate. Her ambitious and superlative skills as a pianist are matched by the complexities and sheer genius of her compositions. Whether flying solo, in trio, quartet, ...
Failure to Fracture: Learning King Crimson's Impossible Song

by John Kelman
Failure to Fracture: Learning King Crimson's Impossible SongAnthony Garone322 PagesISBN: 978- 1949267457Stairway Press2021 Failure to Fracture: Learning King Crimson's Impossible Song. It's as clear a mission statement as might be found anywhere. But musician, guitarist, husband, father, son and high tech professional Anthony Garone has spent more ...
Cameron Graves: Inventing Thrash-Jazz

by Scott Krane
Pianist and composer, Cameron Graves, arrived on the scene in his late teens and early twenties, possessing a proclivity for classical music, an unquenchable passion for heavy metal, and a jazz sensibility and lexicon of musicality. According to the website of Mack Avenue Records, the label that signed Graves and put out his debut solo release, ...
Francesco Beccaro e il Questionario di Proust

by Paolo Peviani
Il tratto principale della mia musica Alto tasso di energia, intensa, con molta improvvisazione ma anche con strutture compositive articolate. Una sorta di inedita fusion, distante dallo stereotipo generale, caratterizzata da un suono a volte volutamente grezzo ma sempre energico e suggestivo. Ogni composizione cerca di essere un messaggio chiaro e punta a coinvolgere l'ascoltatore ...
The First Generation 1965-1974

by John Kelman
What do guitarists Eric Clapton, Peter Green, Mick Taylor, Jon Mark, Harvey Mandel and Freddy Robinson, reed/woodwind multi-instrumentalists John Almond, Ray Warleigh, Alan Skidmore, Dick Heckstall-Smith, Red Holloway and Ernie Watts, bassists John McVie, Jack Bruce, Andy Fraser, Tony Reeves, Stephen Thompson and Larry Taylor, drummers Mick Fleetwood, Keef Hartley, Aynsley Dunbar, Jon Hiseman and Collin ...
Logan Richardson: To Boldly Go Where No Jazz Has Gone Before

by Chris May
In a 2016 interview, Kansas City-born alto saxophonist Logan Richardson said: Jazz will constantly change because there's constantly a new us, new times. There will always be a fight from the conformists--but they don't represent where the tradition is coming from." Richardson was talking not long after the release of his adventurous Blue Note album, Shift, ...