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Clifton Anderson: Leading The Way

by Mikayla Gilbreath
Not since the heyday of Glenn Miller and Tommy Dorsey has the trombone enjoyed widespread acceptance as a band leader's instrument. With only a few exceptions, the last half century has seen trombonists slide from favor as leaders and become more commonly viewed as sidemen. Even genuinely notable artists like J.J. Johnson, Frank Rosolino, ...
Take Five With Boris Kozlov

by AAJ Staff
Meet Boris Kozlov: Currently serving as a bassist, arranger and Musical Director for the Mingus Big Band, Mingus Dynasty and The Orchestra, as well as leading his own projects, he has also been a first-call bassist for such important jazz acts as Michael Brecker, John Blake, Ray Barretto's New World Spirit, Lew Tabackin, David Kikoski, Alex ...
Miguel Ángel Chastang: From Harlem to Madrid Vol. 2: Sombras

by Antonio Álvarez Barthe
Cuando en 1986 decide trasladarse a Nueva York para completar su formación musical bajo la disciplina de Ron Carter, el contrabajista Miguel Ángel Chastang (Madrid, 1952) contaba ya con un currículum respetable, con varios discos a su nombre o como sideman y una amplia experiencia en las salas de concierto y en los festivales españoles y ...
Roy Hargrove: Emergence

by Robert J. Robbins
As a trumpeter, composer, and an arranger, Roy Hargrove has been a mainstay of the contemporary music scene in a variety of formats for nearly two decades. Nevertheless, his big band experience has been limited mostly to his appearances with the Dizzy Gillespie All-Star Big Band, with which he has most ably proved himself an heir ...
Icons Among Us: An Epic Jazz Documentary, Part 1

by Nick Catalano
Part 1 | Part 2 A host of visionary producers in Seattle have produced an extraordinary TV documentary on the state of contemporary jazz art and artists. Dubbed Icons Among Us: Jazz In the Present Tense, the four-part program features a virtual who's who of young jazz performers talking about their creative struggles and ...
The Making of Icons Among Us: Jazz in the Present Tense

by Eric Benson
On an August morning in 1958, a 33-year-old photographer named Art Kane gathered 57 jazz musicians together on the steps of a Harlem brownstone. The resulting picture, known as A Great Day in Harlem," appeared in the January 1959 issue of Esquire and has become the most famous image in jazz history. The photograph lacks the ...