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Article: Album Review

Kalle Kalima & K-18: Out to Lynch

Read "Out to Lynch" reviewed by Eyal Hareuveni


Berlin-based, Finnish guitarist Kalle Kalima continues to project his aural impressions of the world of movies. This time he focuses on the eccentric characters and locations from the films of David Lynch, following his abstractions of director Stanley Kubrick on Some Kubricks of Blood (TUM, 2009). Kalima is not attempting to re-score or rearrange the original ...

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Article: Album Review

Iiro Rantala: My History Of Jazz

Read "My History Of Jazz" reviewed by Bruce Lindsay


It is perhaps an odd history of jazz that opens and closes with a composition by Johann Sebastian Bach, but My History Of Jazz is a very personal history, the history of Finnish pianist Iiro Rantala. His previous album, Lost Heroes (ACT Music, 2011), was a solo piano recording; full of mesmerizingly beautiful music, it was ...

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Article: Album Review

Kalle Kalima & K-18: Out To Lynch

Read "Out To Lynch" reviewed by Glenn Astarita


Finnish guitarist Kalle Kalima uses the cinema as a platform for riding a wave of abstract impressionism. As this album title intimates, the premise is based on eccentric film director David Lynch's body of work. The band pulls quite a few punches on a per-track basis, spanning cantankerous minimalism, free jazz, and levitating sub-themes amid some ...

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Article: Live Review

European Saxophone Ensemble: Helsinki, Finland, October 9, 2012

Read "European Saxophone Ensemble: Helsinki, Finland, October 9, 2012" reviewed by Anthony Shaw


European Saxophone EnsembleKoko Jazz ClubHelsinki, FinlandOctober 9, 2012For want of a better explanation, some great gigs really do just happen--the place, the people, the acoustics, even the weather conspiring to make the program truly fantastic as well as fitting. And on Wednesday night, October 9, down at the Koko Jazz Club, ...

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Article: Album Review

Kalle Kalima: Some Kubricks of Blood

Read "Some Kubricks of Blood" reviewed by Anthony Shaw


From the opening flurry of discordant semitones, the following percussive entrance of saxophone and then guitar, it becomes clear that there is something rather weird and threatening about Some Kubricks of Blood. Much is surely due to the disharmonies and clashes of timbre--grating guitar over accordion gushes--and the abrupt rhythmic collisions, in addition to intentional off-mike ...


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