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Eyran Katsenelenbogen: 88 Fingers
by Terrell Kent Holmes
With the release of 88 Fingers, add the name Eyran Katsenelenbogen to the expanding roster of exciting pianists on the scene today. Katsenelenbogen draws from jazz, classical and the Great American Songbook for tunes that allow him to show off his amazing sound and bold-faced technique. Throughout 88 Fingers, Katsenelenbogen plays with confidence ...
Montreal Jazz Festival: Days 4-6, July 4-6, 2009
by John Kelman
Days 1-3 | Days 4-6 | Days 7-9 Joshua Redman By Invitation Day 1 / Brian Blade and the Fellowship Band Joshua Redman By Invitation Day 2 / Kenny Werner QuintetJeff Beck / Anat CohenFestival International de Jazz de Montreal Montreal, Quebec, Canada July 4-6 2009
Marian McPartland: Living Through the History
by Maxwell Chandler
Marian McPartland, whose personal artistic history is deeply entwined with that of jazz, continues writing, touring and educating. Following her muse, she has encountered a who's who of jazz while leaving her own indelible mark on the music. Her radio program, Marian McPartland's Piano Jazz, is the longest running show on National Public Radio, and she ...
Jazz Musician of the Day: Fats Waller
All About Jazz is celebrating Fats Waller's birthday today! JAZZ MUSICIAN OF THE DAY Fats WallerJazz music\'s first organist and one of the giants of piano jazz Thomas Wright “Fats" Waller was born on May 21, 1904 in Harlem into a musical family. His grandfather was an accomplished violinist ...
Marcus Roberts: Has A Lot More To Do
by Tod Smith
With a foundation in the church and a passion for America's music, Marcus Roberts is easily one of the most prolific pianists of his generation. Hailing from Jacksonville, Florida and influenced by the early exposure to his mother's gospel singing, he decided that he wanted to be a jazz pianist after listening to the music of ...
30th Annual Tri-C JazzFest Cleveland
by Matt Marshall
30th Annual Tri-C JazzFest Cleveland Cleveland, Ohio April 23-May 3, 2009 Now in its 30th year, the Tri-C JazzFest Cleveland has always prided itself as much on its educational offerings as its concerts. The festival's Web site touts it as “the largest educational jazz festival in the country." This emphasis on ...
Alexander von Schlippenbach, Aki Takase and Rudi Mahall: Betting on Tradition
by Clifford Allen
European improvisation began to set itself apart when it built its own tradition, drawing from folk forms and concert music rather than providing provincial answers to questions posed by Ornette Coleman, Thelonious Monk or Duke Ellington. Of course, all these figures factored into the music of players like trombonist Albert Mangelsdorff, drummer Gil Cuppini and reed ...
Queens: Home of Jazz and Flushing Town Hall
by Greg Thomas
When most people think of jazz in New York City, Manhattan readily comes to mind. The “East Coast" stride piano style was developed in Harlem, where venues such as the Savoy Ballroom, Small's Paradise, the Cotton Club and Minton's Playhouse presented the big bands and small groups of jazz lore. 52nd Street became known for its ...
Three of a Perfect Pair
by Chris M. Slawecki
For the past decade or thereabouts, I've tried to organize “From the Inside Out" around one theme, to address in one column the different ways that different musicians perform on the same instrument, or in the same style or genre. But if there's one lesson that life seems intent on teaching, it's that music (like life) ...
Eyran Katsenelenbogen: 88 Fingers
by Jay Deshpande
Eyran Katsenelenbogen's solo piano work has received the highest praise that a jazz pianist can be given: he has been likened to Art Tatum. Although Tatum is widely considered the most virtuosic piano improviser of the last century, players are hardly ever compared to him. To be associated with the man who Fats Waller referred to ...
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