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329

Article: Album Review

Yitzhak Yedid: Since My Soul Loved

Read "Since My Soul Loved" reviewed by Eyal Hareuveni


Israeli, Australia-based composer and pianist Yitzhak Yedid dedicates his new composition Since My Soul Loved to the intertwined concept of love and happiness. “Regardless of all other events, as soon as we find love, we will find happiness," he is quoted in the liner notes. And Yedid is indeed an optimistic musician, who dedicates his art ...

132

Article: Album Review

Jon Irabagon with Mike Pride: I Don't Hear Nothin' But the Blues

Read "I Don't Hear Nothin' But the Blues" reviewed by Eyal Hareuveni


Sometimes you don't need more than a sax and a drum set. Tenor saxophonist Jon Irabagon--winner of the 2008 Thelonious Monk Saxophone Competition and a potent and articulate front man of the post-modern be-bop quartet Mostly Others Do The Killing--and versatile drummer Mike Pride--a collaborator of Anthony Braxton and punk outfits such as Millions of Dead ...

321

Article: Multiple Reviews

Joelle Leandre: Duos with William Parker and George Lewis

Read "Joelle Leandre: Duos with William Parker and George Lewis" reviewed by Eyal Hareuveni


French double bassist Joelle Leandre needs no introduction. She has gained a legendary status as one of the best free improvisors of recent decades, always ready for new challenges and opportunities to perfect her art. These two arresting recordings, both totally improvised, with close comrades double bassist William Parker and trombone player George Lewis, offer two ...

286

Article: Album Review

Eyal Maoz's Edom: Hope and Destruction

Read "Hope and Destruction" reviewed by Eyal Hareuveni


The second release of New York-based Israeli guitarist Eyal Maoz alt-klezmer quartet Edom is a schizophrenic one. On one hand, Maoz faithfully follows Tzadik founder John Zorn's hybridized post-modern pastiche of klezmer and Jewish musical traditions, and musical references that are typical of the label's Radical Jewish Culture series. This is most audible in the manner ...

253

Article: Album Review

Kornstad: Dwell Time

Read "Dwell Time" reviewed by Eyal Hareuveni


Prolific Norwegian reed player Håkon Kornstad is known for his conceptual and genre-bending work, beginning with the free improvising Kornstad Trio, experimenting with electronics on Wibutee, exploring chamber Jazz with fellow countryman, pianist Håvard Wiik and bassist Ingebrigt Håker Flaten, or collaborating with hip vocalist Anja Garbarek. On his second solo release he follows but still ...

307

Article: Album Review

Gunhild Seim & Time Jungle: Morpho

Read "Morpho" reviewed by Eyal Hareuveni


Stavanger, Norway-based Gunhild Seim & Time Jungle's sophomore release delivers further evidence of trumpeter Seim's mature compositional skills, also featured on her debut, Time Jungle (Drollehola Records, 2009). Seim matches intensity and adventurous improvisation--typical of improvisers coming from her hometown such as reed player Frode Gjerstad and drummer Paal Nilssen-Love--with nuanced, melodic lines of chamber jazz ...

306

Article: Album Review

The Plunge Trio with Bobo Stenson: Origo

Read "Origo" reviewed by Eyal Hareuveni


Origo is the Malmö, Sweden-based Plunge Trio's second collaboration with acclaimed fellow countryman/pianist Bobo Stenson, following Plunge with Bobo Stenson (Kopasetic Productions, 2005). This excellent trio's fourth release presents them at their best. The core group--Andreas Andersson on alto and baritone saxophones, bassist Mattias Hjorth and drummer Peter Nilsson on drums--always opts for patient, spontaneous improvisation ...

366

Article: Album Review

Frank London / Lorin Sklamberg: Tsuker-zis

Read "Tsuker-zis" reviewed by Eyal Hareuveni


Trumpeter Frank London and vocalist/accordionist Lorin Sklamberg have always attempted to introduce a fresh perspective when redefining traditional Jewish music. As founders of the Grammy award-winning alt-klezmer band The Klezmatics, they adapt ancient and traditional holiday songs of the Jewish diaspora into a modern, surprising sphere.Tsuker-zis, (sugar-sweet), their third installment of Hasidic religious songs ...

444

Article: Album Review

Franz Koglmann: Lo-lee-ta: Music on Nabokov

Read "Lo-lee-ta: Music on Nabokov" reviewed by Eyal Hareuveni


Viennese composer and trumpeter Franz Koglmann is a well-known commuter between the arts and modern chamber jazz. His subtle, sophisticated compositions create a set of mirrors that reflect a distinct artistic mean: literature on Make Believe (Between the Lines, 1999), inspired by Jean Cocteau; poetry on O Moon My Pin-Up (hatOLOGY, 1997), inspired by Ezra Pound ...

357

Article: Album Review

Tafillalt: Tafillalt

Read "Tafillalt" reviewed by Eyal Hareuveni


This innovative alt-klezmer/alt-Jewish music ensemble represents the growing interest of John Zorn's Tzadik label in the Israeli Jewish music scene. Tafillalt fits into the Radical Jewish Culture series of the label, not only by exploring and interpreting ancient and modern Hebrew prayers--songs in adventurous and compelling new soundscapes--but also because of the group's multicultural improvisational attitude ...


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