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Op Der Schmelz Live
by Dave Wayne
This album is a winner from the git-go. Brooklyn-based pianist Roberta Piket summons the spirits with a gentle, but emotionally direct solo piano rumination. Harmonically rich, with a probing depth that brings Paul Bley and Steve Kuhn to mind, Piket's invocation is just the first in series of golden moments on Op der Schmelz Live. A ...
Terry Klinefelter: Zingaro
by Victor L. Schermer
Pianist, composer and arranger Terry Klinefelter deserves greater recognition, and this album shows why. Based in the Philadelphia area with her long-time spouse, bassist Paul Klinefelter, she has brought together a cadre of the finest instrumentalists and vocalists for a collection of music that resonates with the heart. With her adept piano playing at the center, ...
S.O.S.: Looking for the Next One
by John Kelman
With more and more archival “finds" hitting the shelves--real or virtual--it's becoming increasingly difficult to separate the wheat from the chaff. Just because an old, long considered lost recording has resurfaced doesn't inherently make it worthy of release: sometimes the sound isn't up to snuff--though, if it's a stellar performance, that can sometimes be forgiven--but other ...
Dave Holland: Prism
by John Kelman
Two instruments that bassist Dave Holland has rarely incorporated into his projects have been piano and guitar, his only guitar-centric album coming sixteen years after his first release as a leader, Conference of the Birds (ECM, 1973), when he recruited Kevin Eubanks for a particularly powerful set on Extensions (ECM, 1989). It took Holland even longer--nearly ...
Nora Germain: Let It Rip!
by Carl L. Hager
How good is your memory? Remember when the gold standard in jazz was that the music needs to swing? Good memory, eh? Remember jazz violin, that four-stringed instrument that was bowed and tucked under the musician's chin, not stood on end? Jazz violin is a tradition which has faded to such a ...
Woody Shaw: The Complete Muse Sessions
by John Kelman
The past couple years have been banner ones for reviving the legacy of Woody Shaw, a trumpeter and composer who--emerging in the early '60s on albums by extant jazz stars like Eric Dolphy, Andrew Hill, McCoy Tyner and Horace Silver, and contributing to on-the-rise names including Larry Young and Chick Corea--has all-too-often been overlooked. Still, with ...
Jan Bang: Narrative From The Subtropics
by Henning Bolte
For Norwegian electronic musician Jan Bang, the studio is no longer a perfectly isolated space to assemble and produce fictitious beautiful sounds--a boundary he has long since transcended. He not only brought studio equipment and techniques to the performing stage but he also started using them as tools in live improvisation. Together with fellow musician and ...
Kenny Wheeler: Six for Six
by John Kelman
When artists move into their eighties, every new album is a gift. It's difficult enough for any octogenarian musician to maintain his/her game, but especially horn players, for whom embouchure and breath are so essential to tone and reach. Six for Six is, however, a curious gift from expat Canadian trumpeter Kenny Wheeler, who's made Britain ...
Stefano Bollani / Hamilton de Holanda: O que sera
by Ian Patterson
There's a relative paucity of piano and guitar duo recordings; Bill Evans and Jim Hall in the world of jazz, Horacio Salgán and the late Ubaldo de Lio in the world of tango, and Pamela and Robert Trent in the classical world are notable exceptions. When it comes to crossover, jazz pianist Michel Camilo and flamenco ...
Various Brits: Just Not Cricket!
by Mark Corroto
In the 1972 Monty Python Flying Circus skit “Are You Embarrassed," the announcer reads the lines, “Are you embarrassed easily? I am. But it's nothing to worry about; it's all part of growing up and being British." The announcer goes on to describe embarrassing words like “Shoe" ..... “Megaphone" ..... “Grunties," to test the listener's discomfort ...
