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James Brandon Lewis and Chad Taylor: Radiant Imprints
by Mark Corroto
When saxophonist James Brandon Lewis released Divine Travels (Okeh, 2014) with bassist William Parker and drummer Gerald Cleaver, the jazz world went from “who is this guy?" to “make space at the table," because listeners had discovered a truly distinctive voice. After that came Days Of Freeman (Okeh, 2015) with Jamaaladeen Tacuma and Rudy Royston and ...
Eric Revis: Sing Me Some Cry
by Giuseppe Segala
La vicenda artistica di Eric Revis è esemplare per la propria coerenza: ci ricorda ancora una volta il ruolo avuto da molti contrabbassisti nel jazz contemporaneo, che sulle direttrici di metodo e prassi tracciate da Charles Mingus sanno coniugare una forte e sensibile preparazione sullo strumento alla capacità di organizzare stimolanti formazioni e di comporre in ...
Sing Me Some Cry
By Eric Revis
Label:
Released: 2017
Track listing: Sing Me Some Cry; Good Company; Pt 44; Solstice....The Girls (For Max & Xixi); Obliogo; Rye Eclipse; Rumples; Drunkard’s Lullaby; Glyph.
John Sharpe's Best Releases Of 2017
by John Sharpe
Here are ten new releases and two partial reissues, reviewed on All About Jazz, which stood out among the 200 or so discs that I heard this year. Sylvie Courvoisier / Mary HalvorsonCrop Circles (Relative Pitch Records) Over the last fifteen years or more, pianist Sylvie Courvoisier and guitarist ...
Mark Corroto's Best Releases of 2017
by Mark Corroto
And what a year it was. With all hurricanes, raging fires, and end-of-the-world politics, we were fortunate to have the magical salve that is music. Complied here are my favorite releases of this past year. I tried to pare down a long list of 50 to 10, but it was impossible. The music you see below ...
Eric Revis: Sing Me Some Cry
by John Sharpe
Away from his tenure with Branford Marsalis, bassist Eric Revis continues in the adventurous vein established by his previous dates on the Clean Feed imprint. His latest group if anything operates even more on the edge. With the return of reedman Ken Vandermark into the fold, Revis has a unit to die for. The Chicago-based hornman ...
Borderlands Trio: Asteroidea
by Mark Corroto
I'll venture a guess that the listing of the names on Borderlands Trio's cover is arranged in alphabetic order, Crump, Davis, then McPherson. That is because nothing in the performance reveals a leader, nor a dominant signature. For adventurous listeners, isn't that exactly what we want from our improvisors? Let's stick with just Borderlands ...
Culture Clubs: A History of the U.S. Jazz Clubs, Part I: New Orleans and Chicago
by Karl Ackermann
Marching bands, ragtime music, and the blues, were all well-entrenched and spreading up the Mississippi River Valley from New Orleans at the beginning of the twentieth century. Dixieland was the popular music staple and with the all-white Original Dixieland Jass Band recording the first jazz side, “Livery Stable Blues," in 1917, an original musical language was ...
Eric Revis: Sing Me Some Cry
by Mark Corroto
Only a bassist like Eric Revis with a background in the origins of jazz (that is, New Orleans), hardcore, funk, and post-bop can pull off such a big project as Sing Me Some Cry. Not big as in impenetrable, but circus tent big--assimilating all his experiences. From Betty Carter and Lionel Hampton to his long-standing tenure ...
Avishai Cohen - Trumpet: Cross My Palm With Silver
by Karl Ackermann
If trumpeter Avishai Cohen's ECM debut, Into The Silence was a work of deeply personal content, Cross My Palm With Silver plays out with the same emotional impact, but on a global stage. Cohen composed the five pieces on this album in his native Israel, while contemplating the impact of political division on the human psyche. ...
