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335

Article: Album Review

Rabih Abou-Khalil / Joachim Kuhn / Jarrod Cagwin: Journey to the Centre of an Egg

Read "Journey to the Centre of an Egg" reviewed by AAJ Staff


The amount of time that Rabih Abou-Khalil had to wait to receive proper recognition in North America was almost criminal. After amassing ten releases on the German Enja label, the Lebanese oud virtuoso finally penetrated the Western hemisphere through a licensing deal with Montreal's Justin Time and the release of 2004's border-bridging sextet effort, Morton's Foot. ...

267

Article: Album Review

Rabih Abou-Khalil / Joachim Kuhn / Jarrod Cagwin: Journey to the Centre of an Egg

Read "Journey to the Centre of an Egg" reviewed by John Kelman


In the realm of instruments from off the beaten path in jazz, the oud remains one of the most intriguing. On a series of ECM albums, Anouar Brahem has experimented with the eleven-string lute in a variety of settings, but he tends to fashion close ties with his Tunisian cultural aesthetic. Lebanese oudist Rabih Abou-Khalil has ...

227

Article: Album Review

Abdullah Ibrahim: A Celebration

Read "A Celebration" reviewed by AAJ Staff


Now entering his eighth decade, pianist Abdullah Ibrahim has been largely responsible for introducing the world to South African jazz and attracting new ears to its warm, reverent tradition, whether from exile or Cape Town. To celebrate his 70th birthday, his 50th year on record, and his 35th anniversary as an Enja Records recording artist, the ...

321

Article: Album Review

Renaud Garcia-Fons: Entremundo

Read "Entremundo" reviewed by AAJ Staff


Bassist Renaud Garcia-Fons has a few tricks up his sleeve, some of which he reveals in due time on Entremundo. One is the fact that his instrument has five strings, and he makes use of the entire range--which means that a lot of his work sounds like it comes from a cello or even a violin. ...

244

Article: Album Review

Renaud Garcia-Fons: Entremundo

Read "Entremundo" reviewed by John Kelman


Some records are instantly captivating, with an ambience that immediately draws the listener in. Others require more attention, revealing layers of reward with each successive listen. The best records do both. Bassist Renaud Garcia-Fons has managed with his latest disc, Entremundo , to create one of those rare recordings whose first spin compels the listener to ...

150

Article: Album Review

Renaud Garcia-Fons: Entremundo

Read "Entremundo" reviewed by Jim Santella


World music is universal. As bassist Renaud Garcia-Fons performs eleven original compositions with his small ensemble, we're treated to the sounds of India, Persia, Spain, Ireland, South America, South Africa, and more. Reaping a contemporary flavor with the harmonic depth of a much larger ensemble, his band provides exotic sounds and pleasant melodies. Born ...

320

Article: Album Review

Ingrid Jensen: Here on Earth

Read "Here on Earth" reviewed by Ken Franckling


From her arrival on the New York City jazz scene ten years ago, it was clear to those listening closely that trumpeter Ingrid Jensen was blessed with a fresh, confident sound and versatile musicality. She had followed studies at Boston's Berklee College of Music with three years of teaching and performing in Europe. And she'd spent ...

321

Article: Album Review

Ingrid Jensen: Here on Earth

Read "Here on Earth" reviewed by John Kelman


In recent times trumpeter Ingrid Jensen has been voted by Down Beat as one of the “25 most important musicians of the future." These kudos are based in no small part on a small but growing body of work that shows her to be a performer of remarkable depth. Now Canadian label Justin Time, recently associated ...

102

Article: Album Review

Gilad Atzmon & The Orient House Ensemble: Exile

Read "Exile" reviewed by AAJ Staff


There are so many contradictions about protest albums. Whatever the subject, they usually exude as much joy as anger; as much implication as direction; and as much journey as arrival. That's more an aesthetic issue than a moral or intellectual one, but it can't help but broaden the experience beyond direct communication. In jazz, discovery is ...


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