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Marshall University And The Nu Jazz Agency Announce The Launch Of The Huntington International Jazz Festival In Huntington, West Virginia
Marshall University, a leading institution of higher education in West Virginia and the Nu Jazz Agency, announced the dates for the long-awaited Huntington International Jazz Festival to be held in Huntington, West Virginia from June 19-23, 2018. This 5-day Event comprises a multitude of community activities for young and old, from Jazz aficionados to music, art, ...
Nu Jazz Agency And Marshall University Announce The Ellis Marsalis International Jazz Piano Competition Call For Entries!
Nu Jazz Agency and Marshall University—a leading institution of higher education in West Virginia, announced the dates for the long-awaited Ellis Marsalis International Jazz Piano Competition in Huntington, West Virginia (U.S.A.). Preliminary Entry will be open to all from April 9 to May 19, 2018 (12:01 a.m. EST), with up to six (6) competitors being chosen ...
Eric Revis: Sing Me Some Cry
by Giuseppe Segala
La vicenda artistica di Eric Revis è esemplare per la propria coerenza: ci ricorda ancora una volta il ruolo avuto da molti contrabbassisti nel jazz contemporaneo, che sulle direttrici di metodo e prassi tracciate da Charles Mingus sanno coniugare una forte e sensibile preparazione sullo strumento alla capacità di organizzare stimolanti formazioni e di comporre in ...
2017: The Year in Jazz
by Ken Franckling
A year of achievements, challenges to gender inequality, scandal and losses The year 2017 was quite something for the jazz world. Incidents or discussions of misogyny and sexual misconduct bubbled up even before the #MeToo phenomenon developed. Beyond that, woman musicians made significant contributions to the genre. International Jazz Day brought its biggest stage ...
Joe Rosenberg's Ensembles
by Jerome Wilson
Joe Rosenberg is a soprano saxophonist who, at one time, lived in the Bay Area collaborating with musicians like Dewey Redman and Buddy Collette and recording tributes to Eric Dolphy and Ornette Coleman. For the last several years he has been living in Asia and also collaborating with French musicians. These two CDs, by different configurations ...
Delfeayo Marsalis: Kalamazoo
by Dan Bilawsky
How is it that we haven't been gifted a live album from trombonist Delfeayo Marsalis before? He's been such an important part of the fabric of this music, whether producing works of lasting significance for other jazz greats in the studio, sharing space with his famous family, or leading his Uptown Orchestra through a rousing set ...
Nathan Zaporski: Live Recitation
by Jerome Wilson
Nathan Zaporski is a composer and alto saxophonist from the Detroit area with a hard, sharp edge to his playing in the tradition of Phil Woods and Jackie McLean. On this live recording he shows his wares fronting a sympathetic quartet. Zaporski's sound is so speedy and relentless on the opening duo of Thelonious Monk's “Rhythm-a-ning" ...
Tribute to Art Porter Jr.: Reflections of a Grateful Art
by Liz Goodwin
During the early to mid '90s, soprano and alto saxophonist-composer Art Porter, Jr. was charting a blazing course on the contemporary jazz soundscape. The 35-year-old Little Rock, Arkansas native had recorded and released four albums for Verve Records. He had been a guest on the albums of such titans as keyboardists Ramsey Lewis; Jeff Lorber (who ...
Johnaye Kendrick: In The Deepest Way Possible
by Paul Rauch
Since arriving in Seattle, Johnaye Kendrick has enriched the Seattle jazz community with her performances, recordings, and as Associate Professor of Jazz Voice at the prestigious Cornish College of the Arts, as a mentor to her many students. Her vocal style is centered in the jazz and blues tradition, but embellished by her own interpretation based ...
Hentoff helped pave way for jazz journalism’s acceptance
by Jim Trageser
Nat Hentoff's passing last week left me feeling, well, old. Whenever we lose a mentor--a grandparent, a teacher, someone who encouraged us--it's a reminder of our own mortality, that we are, in the parlance of football coaches, the next ones up. I don't feel anywhere near to ready or worthy or capable of assuming ...
