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Rockwired.com's Latest Edition of Jazzed and Blue Features the Psychedelic Jazz Sound of Teddy Presberg and music from Curtis Stigers, Luba Mason, The Dangling Success and Barbara Martin
The latest edition of Jazzed and Blue: Profiles in Blues and Jazz is now available for download at Rockwired.com and features music and an exclusive interview with the psychedelic sound of jazz guitarist Teddy Presberg, In this opening segment, Presberg discusses the evolution of his sound from his debut CD “Blueprint of Soul" to his follow-up ...
Take Five With Iman Spaargaren
by AAJ Staff
Meet Iman Spaargaren: Iman is a multi-reed player, arranger and composer. He has a distinctive way of playing and a very personal tone on his horn. During the past few years Iman has been busy with a wide variety of music groups such as Iman Spaargaren Quartet & Septet, Captain Hook, European Union Quartet ...
Daniel Smith: Bassoon Goes Latin Jazz!
by Nicholas F. Mondello
It's about that sound--that down there, frog-like bellowing encountered on cartoon soundtracks, novelty TV commercials, and that marvelously masculine sound heard in the greatest of orchestral and chamber music repertoire. Rarely is the bassoon heard blowing improvisation in the jazz idiom, athough with the works of Daniel Smith, Paul Hanson and others, that's changing.
Mama Africa
by Chris M. Slawecki
If you wanted to travel to--oh, let's just say--Tanzania and then from Tanzania to India, then to Puerto Rico, to England, then Spain, to Peru, then to South Africa, to personally experience their musical varieties both garden and exotic, you could do it by cashing in, with rounding, about 28,690 frequent flier miles. Or ...
Soft Machine Legacy: Live Adventures
by Chris M. Slawecki
Many have found elements of jazz in the music of European progressive rock artists such as Gong, Can, King Crimson and even, to a certain improvisational extent, Yes. Soft Machine Legacy continues this...umm, legacy with an amoeba-like lineup (mostly) from alumni of the original progressive instrumental group Soft Machine: guitarist John Etheridge, bassist Roy Babbington and ...
Mark Isaacs Resurgence Band: Aurora
by C. Michael Bailey
The last artistic musical movement in jazz to be given a meaningful name was the post-bop movement. Arising out of the mid-1960s as a unifying response to hard bop, modal, the avant-garde and free jazz, post-bop has fairly well dominated the most creative jazz made in the last 30 years. If post-bop has a ground zero, ...
Marty Williams: Long Time Comin'
by C. Michael Bailey
Bay Area fixture Marty Williams does not have a pretty singing voice. It doesn't need to be because it is a commanding one--readily identifiable, friendly, accessible and honest. and worth much more than being pretty. Doubly talented, Williams has a piano style right out of the righteous songbook of Junior Mance, Les McCann, and Gene Harris, ...
Shawn Costantino: Waltz for Anne
by C. Michael Bailey
Finally! A collection of Adult Contemporary jazz that has something to say and knows how to say it. Nothing signals oncoming Muzak more than jazz propelled by electric bass, guitar, and piano. Fortunately, multi-reedist Shawn Costantino slays those dragons of jazz prejudice early in his self-produced Waltz for Anne, with an incendiary cover of The Beatles' ...
Rich Corpolongo Trio: Get Happy
by Jerry D'Souza
Tenor saxophonist Rich Corpolongo has been a presence on the Chicago jazz scene for several years, during which time he has solidified his base as a performer. In the early days, he played with Herbie Hancock, Eddie Harris and Gary Burton, among others, going on to form his own band, which played several times at the ...
Charles Pillow: Sound Crafter
by Victor L. Schermer
Charles Pillow is a musician's musician who works with diverse ensembles from jazz to pops to classical, small group to large ensemble, straight-ahead to avant-garde. He grew up in Baton Rouge, La., and studied music at the Eastman School of Music in Rochester, before eventually settling in the New York City area as a working professional.
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