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Gareth Lockrane: Doing That Grooveyard Thing
by Duncan Heining
Few musicians have developed successful careers in jazz playing just flute. You might think of Herbie Mann, Hubert Laws and Bobbi Humphrey, but only Jeremy Steig, Paul Horn and James Newton spring immediately to mind as artists who have achieved credibility with both fans and critics in their work. We can now add 36 year-old British ...
Bob Mintzer: Amazing Reach
by Bob Kenselaar
For about half of his four decade-long career in jazz, Bob Mintzer has been a member of the Yellowjackets, one of the most enduring, distinctive and creative bands in contemporary jazz. But, oddly enough, this association is a relatively small slice of Mintzer's remarkably multifaceted life in music as a saxophonist, bass clarinetist, composer, arranger, educator ...
Alisha's Quartet: Along for the Ride
by C. Michael Bailey
Alisha Pattillo's tenor saxophone case sports an impressive variety of destination stickers, real and metaphorical, where the young artist has visited in her life. Anglo-Australian, Patillo was raised in Singapore and proceeded to woodshed throughout Southeast Asia before receiving a first-rate schooling at Australia's Queensland Conservatorium of Music in Brisbane, majoring in jazz saxophone and education ...
Pharez Whitted: For The People
by Dan Bilawsky
Indianapolis-born trumpeter Pharez Whitted has kept a low profile in the new millennium. He's busied himself with teaching, attending to his duties as Director of Jazz Studies at Chicago State University, performing live and appearing as a sideman on a scant number of under-the-radar albums, but none of this has helped to boost his reputation beyond ...
Jordan Young: Cymbal Melodies
by Dan Bilawsky
Drummer Jordan Young took the organ quartet outside of its stylistic comfort zone on his debut, Jordan Young Group (Self Produced, 2010), and continues to carve his own path within this format on this enjoyable follow-up. Young reconvenes the quartet from his first leader date, with Avi Rothbard taking the place of guitarist Yotam Silberstein, and ...
What Is Jazz Now?
by Dom Minasi
Back in February, All About Jazz Managing Editor John Kelman asked me to develop a column based on points I made in the comment section of the article BAM or JAZZ: Why It Matters. I still feel the same way, but trumpeter Nicholas Payton's statement that jazz died in 1959 made me think, and I've been ...
Cynthia Felton: Freedom Jazz Dance
by C. Michael Bailey
Cynthia Felton has released two exceptionally well-conceived concept recordings in Afro Blue: The Music of Oscar Brown (Self Produced, 2009) and Come Sunday: The Music of Duke Ellington (Self Produced, 2010). She makes a partial break with this refined focus to release a collection of personal favorite standards on Freedom Jazz Dance. Like her two previous ...
Booking Jazz: A Subjective Guide
by Bruce Klauber
There is no rule book, reference work or formal set of regulations that club and restaurant owners can consult about how to book and present jazz.There was a quasi-model of sorts in the 1930s, 1940s and 1950s, given the proliferation of cafés, boites, bistros, bars, ballrooms, and all types of nightspots that used live ...
Cynthia Felton: Freedom Jazz Dance
by Dan Bilawsky
Vocalist/academic Cynthia Felton established herself right out of the gate with two artist-specific tribute albums that were stacked with A-list guests and highlighted her supple and soulful vocals. Felton's debut--Afro Blue: The Music Of Oscar Brown (Self Produced, 2009)--was a welcome nod to an underappreciated figure in jazz, and her journey through the world of constantly ...
Dennis Rollins Velocity Trio: The 11th Gate
by Chris M. Slawecki
For more than two decades, British trombonist Dennis Rollins has played alongside Maceo Parker, Courtney Pine, The Brand New Heavies and others in and around his home base in the United Kingdom. Rollins' first international release, The 11th Gate came about from a simple conversation Rollins had with Pine, who wondered if it was possible for ...
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