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John Fedchock New York Big Band: Like It Is
by Dan Bilawsky
Trombonist John Fedchock may be a seasoned veteran, but he's not set in his ways as a player, arranger, or composer. While some big band leaders of his ilk either try to recreate the past or completely abandon it, attempting to reboot themselves by genuflecting at the altar of modernism, he isn't one of them. Fedchock ...
Michael Kocour: Wherever You Go, There You Are
by Jack Bowers
Wherever You Go, There You Are is akin to visiting pianist Michael Kocour's living room or den for an hour or so and lingering while he entertains you with his singular takes on a number of favorite songs, most of which you've probably heard before but seldom played as well as this. Kocour's lyrical style has ...
Michael Kocour: Wherever You Go, There You Are
by C. Michael Bailey
Solo piano recitals have a refreshing quality about them. The instrument's and by proxy, the performer's, thoughts are undiluted and benefit from the lack of competition with other voices. Pianist, composer, and educator Michael Kocour offers a collection of standards and originals that provide a case-in-point. In an even ten selections, Kocour carves a collection of ...
Two OA2 Records Releases Featuring Pianist Michael Kocour
by Mark Sullivan
Two recent releases from OA2 Records feature piano playing and production by Michael Kocour, a longtime member of the Chicago jazz scene (and a regular sideman with the late James Moody and Benny Golson). He has been director of jazz studies at Arizona State University since 2004. Unhinged Sextet Clarity OA2 ...
The Greg Foat Group: The Greg Foat Group Live at The Playboy Club, London
by Roger Farbey
Compare and contrast the cascade of notes from Greg Foat's electric piano with albums featuring keyboardists such as Dave MacRae or Keith Tippett. This set's opener, Erni Clark's obscure minor classic “By The Grace Of God, I Am" recalls a feeling, intentionally similar, to the heady days of the late 1960s and early 1970s which Foat ...
Tony Adamo: Tony Adamo & The New York Crew
by Nicholas F. Mondello
Some wit once quipped that when you go to Heaven, you hear the voice of God--who is actually imitating the late, great “movie trailer guy," Don LaFontaine. If that's so, for those jazzers entering the Heavenly corner reserved for bereted hipsters and late-night flipsters, Big G must assuredly be trying to cop Tony Adamo.
A Fireside Chat With Chris Potter
by AAJ Staff
This article was originally published in December 2001.I remember first seeing Chris Potter playing with Paul Motian and most recently with the highly regarded Dave Holland Quintet. His improvement in the two or so years time is nothing short of remarkable. I can only compare his development with Scott Colley, who happens (and not ...
Les McCann: Invitation to Openness
by C. Michael Bailey
It is a simple matter of acid-base stoichiometry like that learned in any quantitative chemical analysis or medicinal chemistry course. If one treats the acid element of Parliament Funkadelic's Maggot Brain (Westbound, 1971) with the sweet bass of Leroy Vinnegar, then infuse as with juniper with gin, with honey and morphine: Les McCann's monumental Invitation to ...
Stéphane Escoms Trio+: Meeting Point
by Dave Wayne
On Meeting Point, French pianist and composer Stéphane Escoms augments his working trio with a dizzying array of musical guests. Ostensibly, the title is a reference to Escoms' flexibility and range as an improvising musician, because each of the collaborations carries with it a distinct ethnic flavor. Fortunately, there's enough space left over for the trio ...
Medeski, Scofield, Martin & Wood: Juice
by Troy Collins
For over two decades, keyboardist John Medeski, percussionist Billy Martin and bassist Chris Wood's abiding fascination with the endless possibilities of groove-based music has taken them from intimate jazz clubs to outdoor festival stages. Their eclectic efforts have included a number of high-profile collaborations; the most prolific and successful has been with esteemed guitarist John Scofield. ...
