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990

Article: Interview

John Patitucci: Celebrating Jazz Heroes

Read "John Patitucci: Celebrating Jazz Heroes" reviewed by R.J. DeLuke


As sayings go, “One man's trash is another man's treasure" is pretty straightforward, especially for those enamored with garage sales. For lovers of jazz music, it may hold a bit more significance, for it played a fateful role in the life of one of today's superlative artists in the genre. John Patitucci is one ...

1,320

Article: Interview

John Surman: From Boy Choirs to Big Horns

Read "John Surman: From Boy Choirs to Big Horns" reviewed by John Kelman


It's increasingly risky to be a musician on the road. When British saxophonist John Surman was traveling from his home in Oslo, Norway, to New York City in September, 2007 for a recording session, he almost lost his baritone saxophone to the airlines. “It is a nightmare traveling now," says Surman, “and hardly a tour goes ...

170

News: Interview

Pianist Steve Kuhn Speaks Out About Japan at AAJ

Pianist Steve Kuhn Speaks Out About Japan at AAJ

Steve Kuhn's most recent CD, Mostly Coltrane (ECM, 2009), pays tribute to John Coltrane, having been the first pianist in the legendary saxophonist's quartet. He also has played as a sideman with Kenny Dorham, Art Farmer, Stan Getz and many others. Mostly Kuhn has led his own groups, largely trios with bassists including Buster Williams, Eddie ...

733

Article: Live Review

Steve Kuhn: On Japan

Read "Steve Kuhn: On Japan" reviewed by Wayne Zade


Steve Kuhn's most recent CD, Mostly Coltrane (ECM, 2009), pays tribute to John Coltrane, having been the first pianist in the legendary saxophonist's quartet. He also has played as a sideman with Kenny Dorham, Art Farmer, Stan Getz and many others. Mostly Kuhn has led his own groups, largely trios with bassists including Buster Williams, Eddie ...

667

Article: Take Five With...

Take Five With Agustin Barreto

Read "Take Five With Agustin Barreto" reviewed by AAJ Staff


Meet Agustin Barreto: Barreto, a native of San Juan, Puerto Rico started playing electric bass at age 16 and soon discovered his gift and passion for music. After a few years of “gigging around town" with a local rock band, he landed several jobs playing on local TV shows. With the encouragement of his peers he ...

704

Article: Extended Analysis

Turn Out the Lights: The Final Village Vanguard Recordings, June 1980

Read "Turn Out the Lights: The Final Village Vanguard Recordings, June 1980" reviewed by Jeff Stockton


Bill Evans Trio Turn Out the Stars: The Final Village Vanguard Recordings June 1980 Nonesuch Records 2009 The recent wave of celebrity deaths is a reminder that there's no greater loss the arts can suffer than losing someone in their creative prime. Pianist Bill Evans was 50 when ...

392

Article: Multiple Reviews

Eddie Gomez: Duo & Trio

Read "Eddie Gomez: Duo & Trio" reviewed by Ken Dryden


Jeremy Steig & Eddie Gomez Outlaws Enja 2009 Great Jazz Trio Chapter II Test of Time 2009 Eddie Gomez has long been one of the most valuable bassists in jazz, especially ...

846

Article: Take Five With...

Take Five With Mike Mainieri

Read "Take Five With Mike Mainieri" reviewed by AAJ Staff


Meet Mike Mainieri: Primarily recognized as an award-winning jazz vibraphonist, Mike Mainieri's equally remarkable talents as producer, performer, arranger, and composer have contributed to shaping the cutting edge in music. During '50s and early '60s, he performed with such legendary artists as Buddy Rich, Billie Holiday, Dizzy Gillespie, Coleman Hawkins, and Wes Montgomery. ...

719

Article: Record Label Profile

Jazz Eyes: Eyes and Ears Wide Open

Read "Jazz Eyes: Eyes and Ears Wide Open" reviewed by Jakob Baekgaard


In jazz, spontaneity is essential. It can also be useful when setting up a label. So it's no great coincidence that, once the Italian jazz enthusiasts Paolo Siculiana and Toti Cannistraro realized they both loved the production and distribution of records, their Jazz Eyes label rapidly became a reality. “The story starts on a dark night," ...

134

Article: Album Review

Paul Bley: Barrage

Read "Barrage" reviewed by Stuart Broomer


At times circumstance conspires to hide a masterpiece: it may be the artist's lack of reputation; perhaps it doesn't resemble his more typical works or it's just overshadowed by more prominent or better promoted music. Paul Bley's Barrage is such a work. Produced in 1964 when most of the band was unknown, it's a singularly non-lyrical ...


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