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186

Article: Album Review

Charlie Haden/Egberto Gismonti: In Montreal

Read "In Montreal" reviewed by AAJ Staff


Twelve years after the fact, this live duet performance from the 1989 Montreal Jazz Festival has finally been brought to light. It's a wonderful combination: Charlie Haden is comfortable in just about any setting (consider his tenures with Ornette Coleman, the Liberation Music Orchestra, and Keith Jarrett's American Quartet). Egberto Gismonti has been continuously honing and ...

196

Article: Album Review

Keith Jarrett Trio: Inside Out

Read "Inside Out" reviewed by Glenn Astarita


This 2001 release marks a departure from the Trio’s standards-based format and in pianist, Keith Jarrett’s words: “I mentioned to Jack (DeJohnette) and Gary (Peacock), during a tour in Europe, that perhaps we would scrap the format – the whole idea of having to use any material.” Recorded during two evenings at London’s “Royal Festival Hall,” ...

264

Article: Album Review

Dave Holland Quintet: Not For Nothin'

Read "Not For Nothin'" reviewed by Mark Corroto


Drawing a musical map clarifies the lineage of bands and places them in history. Dave Holland’s Quintet can be traced directly to Miles Davis’ ‘second great quintet’ of Davis/Shorter/Carter/Hancock/Williams. In 1968, Holland, then a young bassist of 21 years, was playing with former Miles Davis pianist Bill Evans and future Davis drummer Jack DeJohnette. Miles asked ...

341

Article: Album Review

Dave Holland Quintet: Not For Nothin'

Read "Not For Nothin'" reviewed by AAJ Staff


Usually, records led by bassists rely on a rock-solid rhythm section. Not For Nothin', Dave Holland's latest quintet effort, certainly presents no exception to this rule. However, the magic behind this disc comes from the fact that every musician plays in the rhythm section at times, and every player also contributes to melody and harmony as ...

276

Article: Album Review

Dave Holland Quintet: Not For Nothin'

Read "Not For Nothin'" reviewed by Mark Corroto


Drawing a musical map clarifies the lineage of bands and places them in history. Dave Holland’s Quintet can be traced directly to Miles Davis’ ‘second great quintet’ of Davis/Shorter/Carter/Hancock/Williams. In 1968, Holland, then a young bassist of 21 years, was playing with former Miles Davis pianist Bill Evans and future Davis drummer Jack DeJohnette. Miles asked ...

225

Article: Album Review

Dave Holland Quintet: Not For Nothin'

Read "Not For Nothin'" reviewed by AAJ Staff


Usually, records led by bassists rely on a rock-solid rhythm section. Not For Nothin', Dave Holland's latest quintet effort, certainly presents no exception to this rule. However, the magic behind this disc comes from the fact that every musician plays in the rhythm section at times, and every player also contributes to melody and harmony as ...

173

Article: Album Review

Charles Lloyd: Hyperion With Higgins

Read "Hyperion With Higgins" reviewed by Mark Corroto


Culled from the same session that brought us the excellent Water Is Wide recording from last year, Hyperion With Higgins delivers more of the same commendable music. With a heavy heart, saxophone Charles Lloyd bids farewell to his friend, drummer Billy Higgins who passed away this year. Both Higgins and Lloyd are jazz masters who have ...

193

Article: Album Review

Marilyn Crispell/Gary Peacock/Paul Motian: Amaryllis

Read "Amaryllis" reviewed by Mark Corroto


If the Crispell/Peacock/Motian record Nothing Ever Was, Anyway (ECM 1997) was the coming-out party for this highly adventurous interactive trio, Amaryllis should begin a series of anticipated recording sessions. Crispell, classically trained, came to jazz late in life. She held the piano chair in Anthony Braxton’s quartet through the 1980s and 90s then went on to ...

147

Article: Album Review

Marilyn Crispell, Gary Peacock, Paul Motian: Amaryllis

Read "Amaryllis" reviewed by David Adler


These trio reflections never exceed six minutes per piece. Thus, they come across as perfectly crafted and concise musical thoughts, despite their esoteric thrust. Avant-garde piano titan Marilyn Crispell ranges from hushed, sparkling lyricism to jagged “energy" playing a la Cecil Taylor, with bassist Gary Peacock and drummer Paul Motian completing the conversational triangle. There are ...

325

Article: Album Review

Marilyn Crispell/Gary Peacock/Paul Motian: Amaryllis

Read "Amaryllis" reviewed by AAJ Staff


It's difficult to give this disc the praise it deserves. Crispell's piano trio work with bassist Gary Peacock and drummer Paul Motian surfaced in fine form on their recent '96 ECM record Nothing Ever Was, Anyway, a tribute to Annette Peacock. Crispell has been quite promiscuous in the past couple decades, working with players from the ...


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