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157

Article: Album Review

Marcin Wasilewski Trio: Faithful

Read "Faithful" reviewed by John Kelman


Over the course of the past decade, the members of pianist Marcin Wasilewski's trio have been growing in the public eye, first as trumpeter Tomasz Stanko's young Polish quartet on a trio of albums culminating in Lontano (ECM, 2008), and then, in the case of pianist Wasilewski and bassist Slawomir Kurkiewicz, through a collaboration with Manu ...

627

Article: Interview

Bill Frisell: The ECM Years

Read "Bill Frisell: The ECM Years" reviewed by John Kelman


Nothing trumps right place, right time. Sure, most artists pay plenty of dues-- sometimes in the public eye, oftentimes not--but for some, there's that serendipitous event that leads to greater visibility. Bill Frisell, surely one of the most important and influential guitarists of his generation, undoubtedly deserves all the accolades and artistic freedom he's achieved in ...

272

Article: Album Review

Mathias Eick: Skala

Read "Skala" reviewed by John Kelman


Those who've caught Mathias Eick live, since the release of The Door (ECM, 2008), know that, as strong a first salvo as that debut was, it was no preparation for the power of the Norwegian trumpeter in performance. When his quartet performed at Mai Jazz 2008, with pianist Andreas Ulvo replacing The Door's Jon Balke, it ...

211

Article: Album Review

Iro Haarla Quintet: Vespers

Read "Vespers" reviewed by John Kelman


It's been six years since Iro Haarla released Northbound (ECM)--while not her actual debut as a leader, certainly her first with international exposure--an album of remarkable beauty that cemented the Finnish pianist/harpist/composer's position as the silent voice behind the music of her late husband, drummer Edward Vesala. There's no denying the import of Vesala's work for ...

273

Article: Album Review

Julia Hulsmann Trio: Imprint

Read "Imprint" reviewed by John Kelman


Longevity is tough to maintain, in a time when artists largely need to work with a variety of projects to make a living, but there are increasing (and encouraging) signs of the value placed on chemistry and the kind of collective voice that evolves naturally, over time. German pianist Julia Hülsmann has maintained the same trio ...

Article: Album Review

Colin Vallon Trio: Rruga

Read "Rruga" reviewed by AAJ Italy Staff


Il debutto ECM del trio del pianista svizzero Colin Vallon è pienamente allineato all'estetica predominante dell'etichetta bavarese. Grande attenzione al suono, naturalmente, atmosfere sospese e minimaliste, eccellenza tecnica dei musicisti e l'inconfondibile Eicher's touch, croce e delizia e fonte di irrisolvibili discussioni tra appassionati e addetti ai lavori. Ciò che intriga in questo lavoro è il ...

163

News: Recording

Mathias Eick "Skala"

Mathias Eick "Skala"

Mathias Eick Skala Mathias Eick: trumpet, vibraphone, electric guitar, double bass Tore Brunborg: tenor saxophone Andreas Ulvo: piano Morten Qvenild: keyboards Audun Erlien: electric bass Torstein Lofthus: drums Gard Nilssen: drums Sidsel Walstad: harp Release Date: ...

140

News: Recording

Iro Haarla Quintet "Vespers"

Iro Haarla Quintet "Vespers"

Iro Haarla Quintet Vespers Iro Haarla piano, harp Mathias Eick trumpet Trygve Seim tenor and soprano saxophone Ulf Krokfors double-bass Jon Christensen drums Release Date: April 12, 2011 Six years after the much-loved “Northbound"—described by All About Jazz as “lovely, articulate, river-deep ...

217

News: Recording

Marcin Wasilewski Trio - "Imprint"

Marcin Wasilewski Trio - "Imprint"

Marcin Wasilewski Trio Faithful Marcin Wasilewski piano Slawomir Kurkiewicz double-bass Michal Miskiewicz drums Release date: April 12, 2011 Dazzling third ECM album by Poland's Wasilewski Trio, which perfectly captures the group's blend of energy and lyricism. There is space here for both the outgoing and the ...

130

Article: Album Review

Alexander Lonquich: Robert Schumann / Heinz Hollinger

Read "Robert Schumann / Heinz Hollinger" reviewed by C. Michael Bailey


Pianist Alexander Lonquich's previous ECM recordings, Plainte Calme (2002) and Gideon Lewensohn: Odradek (2001), split attention between the near-new and the new, addressing Les Six's impressionism on the former, versus 21st Century Israeli realism on the latter. On Robert Schumann / Heinz Hollinger, Lonquich splits the difference between Schumann's eight-movement Kreisleriana (Op. 16, 1838), and Swiss ...


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