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Article: Album Review

Wayne Escoffery: Like Minds

Read "Like Minds" reviewed by Dave Linn


Wayne Escoffery was born in London and raised in New Haven, Connecticut. He began playing the saxophone at the age of 11, later studying at the Educational Center for the Arts in New Haven and the New England Conservatory of Music in Boston. In the late 1990s, Escoffery started gaining recognition on the jazz scene with ...

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Article: Album Review

David Hazeltine: Blues For Gerry

Read "Blues For Gerry" reviewed by Chris May


A longtime member of the Criss Cross family, pianist David Hazeltine began recording for the label in the mid 1990s. Since then he has released around 30 Criss Cross albums, including eight as leader. During this time, bassist Peter Washington and drummer Joe Farnsworth, who complete the trio on Blues For Gerry, have been frequent comrades ...

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Article: Album Review

Dmitry Baevsky: Kids' Time

Read "Kids' Time" reviewed by David A. Orthmann


Dmitry Baevsky is a jazzman in his middle years, a period when many players consolidate youthful influences and put their stamp on the rarefied practices of the mid- to-late 20th century. The alto saxophonist has recorded for several labels, and travels widely as a leader and sideman; to his credit, he continues to give the impression ...

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Article: Building a Jazz Library

Herbie Hancock: An Essential Top Ten Albums

Read "Herbie Hancock: An Essential Top Ten Albums" reviewed by Chris May


The title of Herbie Hancock's 1973 hit single “Chameleon," pulled from his jazz-funk monster Head Hunters (Columbia), was an apt one. Hancock had already undergone several transformations: from the blues-and-gospel-infused vibe of his Blue Note debut, Takin' Off (1962), to more experimentally inclined Blue Note albums in the mid-to-late 1960s, and on to his early 1970s ...

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Article: Live Review

Jazz At The Joint: Nat Reeves

Read "Jazz At The Joint: Nat Reeves" reviewed by C. Michael Bailey


Nat Reeves Jazz At The Joint North Little Rock, AR April 11, 2021 The April 2022 edition of Ted Ludwig's “Jazz At The Joint" welcomed Hartford, Connecticut-centered bassist Nat Reeves to The Joint's stage in North Little Rock, Arkansas. Reeves has spent the last 40 years performing and recording with the ...

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Article: Radio & Podcasts

Old And New Music From Miles Davis, Champian Fulton, Mahavishnu Orchestra & Others

Read "Old And New Music From Miles Davis, Champian Fulton, Mahavishnu Orchestra & Others" reviewed by Jerome Wilson


This show features a wide variety of new and old jazz, including piano music from Dabin Ryu and Marcin Wasilewski, vocals from Marty Elkins and Champian Fulton and a live track from Birth of the Cool-era Miles Davis. Playlist Henry Threadgill Sextett “I Can't Wait Till I Get Home" from The Complete Novus & ...

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Article: Album Review

Cory Weeds With Strings: What Is There To Say?

Read "What Is There To Say?" reviewed by Pierre Giroux


Tenor saxophonist Cory Weeds continues to search for new ways to explore and expand his personal musical horizons. In the release What Is There To Say?, Weeds looks to the expression “everything old is new again" and delivers an album backed by a fulsome string section reminiscent of sessions that both Charlie Parker and Bobby Hackett ...

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News: Recording

Legendary Drummer Mike Clark and Superlative Saxophonist Michael Zilber Present Collaborative Album 'Mike Drop'

Legendary Drummer Mike Clark and Superlative Saxophonist Michael Zilber Present Collaborative Album 'Mike Drop'

Sunnyside Records is proud to announce the July 16th, 2021 release of Mike Drop, an impressive new album co-led by iconic jazz drumming legend Mike Clark and renowned saxophonist Michael Zilber. The culmination of a decade-long musical relationship, Mike Drop features these two consummate players alongside two top Bay Area stalwarts bassist Peter Barshay and pianist ...

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Article: Radio & Podcasts

Best Jazz Ghost Tracks and Other Spectral Jazz, Part 1

Read "Best Jazz Ghost Tracks and Other Spectral Jazz, Part 1" reviewed by Ludovico Granvassu


Even if ghost tracks existed well before the invention of the compact disc, they certainly became a less rare occurrence in the era of the silver disc. So, if you belong to the CD-generation, you are certainly familiar with the sense of surprise and joy that comes at the end of an album when, as you ...


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