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Results for "Dr. Judith Schlesinger"
Paul Meyers: Paul Meyers Quartet Featuring Frank Wess

by Dr. Judith Schlesinger
Guitarist Paul Meyers's list of credits reads like a Who's Who in Jazz: a versatile and elegant player who is much in demand, he tours and teaches and has led or co-led ten CDs. Yet for some reason, prior to this there were no Meyers reviews among the 23,000 that are archived at AllAboutJazz.com. This is ...
Mike Melito: In the Tradition

by Dr. Judith Schlesinger
The last time I reviewed something from gifted drummer Mike Melito was in 2007, when he co-released All Through the Night (Indies Records), with guitarist Bob Sneider and bassist Phil Flanigan. Aside from the high quality of the music these guys are making up in Rochester, New York, what impressed me the most was the audible ...
Joe Ascione Quartet: Movin' Up

by Dr. Judith Schlesinger
Movin' Up is the perfect CD for those who like their jazz straight up and swinging, as well as both traditional and imaginative at the same time. These adjectives also describe uberdrummer Joe Ascione, the versatile, first-call sideman who's been on hundreds of other people's CDs. Recorded in October of 2007, this is only his third ...
Patricia Barber: The Cole Porter Mix

by Dr. Judith Schlesinger
Patricia Barber is absolutely one of a kind. There are any number of jazz vocalists who have good voices, pitch, time, and piano chops; there are others who also sing as if they were looking straight into your eyes. But there is no one who is so consistently iconoclastic, and so deliberately intellectual. Ever since her ...
Martin Wind Quartet: Salt 'n Pepper!

by Dr. Judith Schlesinger
Bassist Martin Wind has appeared on more than eighty CDs and movie soundtracks, and is a pillar of groups led by pianists Bill Mays and Don Friedman, drummer Matt Wilson, and pianist/singer Dena DeRose. Salt n' Pepper! is a rare outing for Wind as leader and reveals talents that go beyond his enviable bass chops and ...
Kate McGarry, Fred Hersch and Ted Nash: A Trio from Palmetto

by Dr. Judith Schlesinger
The music industry has been struggling to adapt to the death of brick-and-mortar outlets, the increasing independence of prominent artists, and the practice of downloading just one or two songs from an album, and not buying the rest. Each year more jazz labels shrink, dissolve into non-musical corporations or disappear altogether, inspiring some that remain to ...
Amos Hoffman: Evolution

by Dr. Judith Schlesinger
The oud is the principal instrument in Middle Eastern music: it's an ancient, fretless, short-necked lute with five pairs of strings and a bass string. On Evolution, his third CD as leader, Amos Hoffman plays the oud he made himself, and offers a fascinating combination of Middle Eastern music and jazz. The ...
Taylor Eigsti: The Prodigy, Revisited

by Dr. Judith Schlesinger
In 2004, I interviewed both Taylor Eigsti and his mother, Nancy, about what it was like to be (and to raise) a prodigy. In the four years since then, Taylor's career has continued its nearly-vertical trajectory, with two Grammy nominations, two prestigious Piano Jazz shows with Marian McPartland, three jazz magazine covers, and multiple Down Beat ...
Ted Rosenthal Trio: My Funny Valentine

by Dr. Judith Schlesinger
In a skittish music industry where labels increasingly blur their identities and grab at gimmicks just to stay alive, it's reassuring to know that Venus Records continues to produce high-quality, straight-ahead jazz. Based in Japan but recording mostly in New York, Venus has a longstanding, signature focus on documenting the world's best piano trios, and My ...
Kenia: Simply Kenia

by Dr. Judith Schlesinger
Long-term fans of Brazilian music will recognize the personnel on this CD as some of its very best practitioners, but any newcomer can hear how good they are. Born in Rio and living in the U.S. since 1980, the singer Kenia has released four previous CDs that, like this one, feature an eclectic mixture of tunes ...