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Chico Hamilton: Timely
by Douglas Payne
Consider the time drummer Chico Hamilton has spent in jazz. At 78, he's one of the music's survivors. He's been at the forefront of several of its major trends - the Cool school in the 1950s, the New Thing in the 1960s, the introduction of rock to jazz and, early on, exploring the commercial possibilities of ...
Miles Davis: Walkin'
by Douglas Payne
This bop-era classic finds trumpeter Miles Davis (1926-91) leading two groups from two sessions in April 1954: a superb sextet and a compelling quintet. Both groups center on a blue-chip rhythm section consisting of pianist Horace Silver, bassist Percy Heath and drummer Kenny Clarke. But despite the rock solid foundation and substantial decoration these three provide, ...
Miles Davis: Miles Davis And The Modern Jazz Giants
by Douglas Payne
Hyperbole aside, this disc's title could hardly be more accurate. Miles Davis. Milt Jackson. Thelonius Monk. John Coltrane. That doesn't even count the legendary rhythm sections (Percy Heath and Kenny Clarke in one, Red Garland, Paul Chambers and Philly Joe Jones in the other). Miles Davis And The Modern Jazz Giants is made up ...
John Coltrane: Soultrane
by Douglas Payne
Tenor Titan John Coltrane (1926-67) made his solo recording debut on Prestige in 1956 and during his two and a half years with the label, sat in on an incredible 25 sessions. In 1958 alone, he'd recorded eight albums for the label and Prestige had enough material to continue releasing new Coltrane material into ...
Milt Jackson: Sunflower
by Douglas Payne
After years on the road with the Modern Jazz Quartet and a series of sterling solo and all-star jazz performances, vibraphonist Milt Jackson decided it was time to see some green. Watching kids half his age, possessing half his talent, earn millions playing rock, he insisted he could earn more without the restraints of ...
Milt Jackson: In A New Setting
by Douglas Payne
For someone like Milt Jackson to declare this a new setting is really saying something. After all, the ageless vibraphonist has recorded in countless small groups capable of any style as well as in big bands, with strings, as a vocalist and as a guitarist too. What's new in this recently reissued 1964 quintet session is ...
Miles Davis: Cookin'
by Douglas Payne
During the early 1950s, trumpeter Miles Davis (1926-91) recorded for both Prestige and Blue Note, the most distinctive independent labels in jazz at the time. Davis himself was developing and perfecting a style that was beginning to gain notice, popularity and substantial influence. By 1955, he had formed such an exemplary quintet of musicians, it came ...
Eric Dolphy: Outward Bound
by Douglas Payne
Multi-talented reed player Eric Dolphy (1928-64) makes his 1960 debut stand out for many reasons. It is foremost an ardently passionate gathering with pristine contributions from some of jazz's most flexible avatars - trumpeter Freddie Hubbard, pianist Jaki Byard, bassist George Tucker and drummer Roy Haynes. Then, of course, there is Dolphy himself: all wonder and ...
Red Garland Trio: Groovy
by Douglas Payne
This trio was known as the rhythm section when Groovy was made. Pianist Red Garland (1923-84), bassist Paul Chambers (1935-69) and drummer Art Taylor (1929-95) were in the midst of a long tenure with Miles Davis and stayed busy in studios backing one horn player after another. The unit's simpatico refinement never wavers in doubt. They ...
Modern Jazz Quartet: Django
by Douglas Payne
The longevity, popularity and surprising durability of the Modern Jazz Quartet is striking upon listening to Django , the group's very first full-length LP. Recorded at various times between 1953 and 1955, it introduces what amounts to Dizzy Gillespie's big band rhythm section, with pianist John Lewis (b. 1920), bassist Percy Heath (b. 1923, who replaced ...
