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Miles Davis: Miles Davis & John Coltrane - The Final Tour: The Bootleg Series, Vol. 6
by Doug Collette
It's a measure of Miles Davis' great respect for John Coltrane that the well-established jazz icon would ask the jazz icon in-the-making to do one more tour (of Europe) as the final component of latter's second stint in a quartet led by the man with the horn. The closure had begun with Coltrane's prior resignation, as ...
Jimmie Vaughan: Live at C-Boy's
by Doug Collette
Over the course of eight selections and a total running time of approximately thirty-six minutes, the Jimmie Vaughan Trio make Live at C-Boy's short and sweet, and deliciously so. The band enhances the simplicity of the three piece format with takes on tunes as well-known as Bruce Channel's “Hey Baby"and the blues-soul staple “Saint James Infirmary," ...
Al Di Meola: Opus
by Doug Collette
Guitarist/composer Al Di Meola explores his heritage musically and otherwise in the near hour-long Opus. Largely a solo project, the music becomes all the more compelling for an intricacy mirrored in the deceptively ornate cover art. The intimacy arising from the very first tones of “Milonga Noctiva (Wandering in the Dark)" eventually alternates overdubs ...
Stephen Inglis: Cut The Dead Some Slack
by Doug Collette
Guitarist/vocalist Stephen Inglis' take on the Grateful Dead, Cut The Dead Some Slack, constitutes a logical extension of that iconic band's idiosyncratic approach to making music. A more succinct approach than a two-CD set might've heightened the impact of this project, but regardless, the wide range of material this man chose highlights just how inspiring are ...
Iain Matthews: Redefining Eclectic
by Doug Collette
Few if any contemporary pop or rock artists have maintained a career as long and varied as Iain (nee Ian), Matthews, so his eclectic discography deserves the robust informational and graphical archiving of Omnivore Recording. Moving from his early days as a member of Fairport Convention, the man formed Southern Comfort and moved into more conventional ...
Matthews Southern Comfort: Like A Radio
by Doug Collette
It's been nearly half a century since the initial Matthews Southern Comfort album, and Like A Radio is the first in nearly a decade, a bonafide testament to the timeless quality of its namesake's best work (not mention how it predated today's Americana). Since his days in Fairport Convention, continuing into solo work that carried him ...
Winter 2018
by Doug Collette
Blues Deluxe is a regular column comprised of pithy takes on recent blues and roots-music releases of note. It spotlights titles in those genres that might otherwise go unnoticed under the cultural radar. Logan Magness Memphis On My Mind Wolf River Records 2018 The core four musicians ...
Mike Mizwinski: A Year Ago Today
by Doug Collette
There's a photo of Mike Mizwinski on his website populated with background images of artists ranging from Eric Clapton and Steve Winwood, the Who, the Avett Brothers and the String Cheese Incident. Speaking volumes about this man's eclectic approach to music, this pictorial evidence also suggests much about the freewheeling attitude Mizwinski displays on A Year ...
Steve Barton: Tall Tales And Alibis
by Doug Collette
Like Bob Dylan's Triplicate (Columbia, 2017), Steve Barton's Tall Tales And Alibis recounts a rite of passage in three parts. But even though the once and future member of Translator only assigns specific sub-titles once (in the recording credits), his journey from darkness to light is as explicit as that of the Nobel Laureate's, perhaps even ...
Chicago: The Terry Kath Experience
by Doug Collette
Chicago: The Terry Kath Experience FilmRise 2018 Michelle Kath Sinclair's The Terry Kath Experience is a combination of history and homage to the her late father, the guitarist and one of the founding members of Chicago. The film proceeds with a streamlined logic, not to mention an abiding sense of love and ...
