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Article: Album Review

Robin Trower: Coming Closer to the Day

Read "Coming Closer to the Day" reviewed by Doug Collette


Upon departing Procol Harum in the early Seventies, guitarist Robin Trower embarked upon a solo career in which he has proved himself both prolific and consistent (like the imagistic cover art of the albums). Completely absorbing by its finish, Coming Closer to the Day reaffirms those virtues and belies the intimations of mortality in its title. ...

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Article: Album Review

Tal Wilkenfeld: Love Remains

Read "Love Remains" reviewed by Doug Collette


Prior to the release of Love Remains, Australian-born Tal Wilkenfeld may have been best known for her talent on the bass in the company of Jeff Beck circa Live at Ronnie Scott's (Eagle Video, 2008). In the interim, however, she has been busy with stints playing for a disparate range of artists including Jackson Browne and ...

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Article: Album Review

Karl Denson's Tiny Universe: Gnomes and Badgers

Read "Gnomes and Badgers" reviewed by Doug Collette


Karl Denson's Tiny Universe swings hard and grooves deeply for the better part of Gnomes and Badgers. In fact, if the tracks with vocals like “What If You Knew" on the first half of the record were sequenced in a different order, those cuts might well be nothing more than mere distraction from the real attraction(s) ...

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Article: Album Review

Dennis Coffey: Live at Baker's

Read "Live at Baker's" reviewed by Doug Collette


The intimations of springtime on guitarist Dennis Coffey's Live at Baker's place it more closely in line with the balmy tone of Hot Coffey in the D: Burnin' At Morey Baker's Showplace Lounge (Resonance Records, 2016) than the insistent rhythm workout of One Night at Morey's: 1968 (Omnivore, 2018). Nevertheless, this three concert release, like its ...

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Article: Album Review

The Branford Marsalis Quartet: The Secret Between the Shadow and the Soul

Read "The Secret Between the Shadow and the Soul" reviewed by Doug Collette


Anyone who's seen the Branford Marsalis Quartet in concert is well aware of what high-flying improvisations the group can embark upon. But the foursome's abandoned approach hardly precludes due emphasis on structure---how better to highlight it than leave it behind?--which is also why this band makes studio albums as trenchant as The Secret Between the Shadow ...

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Article: Album Review

Joey DeFrancesco: In The Key Of The Universe

Read "In The Key Of The Universe" reviewed by Doug Collette


Joey DeFrancesco has stretched himself regularly throughout the course of thirty-plus albums. Just since Project Freedom (Mack Avenue, 2017) he's collaborated very productively for two albums with the Irish soulman Van Morrison--You're Driving Me Crazy (Sony Legacy, 2018) and The Prophet Speaks (Caroline, 2018). And, on In The Key of the Universe, the organist/trumpeter reaffirms his ...

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Article: Album Review

Gurf Morlix: Impossible Blue

Read "Impossible Blue" reviewed by Doug Collette


An object lesson in simplicity, Gurf Morlix' Impossible Blue is one fast shuffle away from pure excellence. Yet even with due recognition for this, his tenth album, the Americana Award-winning man may yet remain better known by association: collaboration with Americana master Peter Case on his eponymous debut and as a fifteen-year tenure Lucinda Williams (during ...

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Article: Album Review

John Mayall: Nobody Told Me

Read "Nobody Told Me" reviewed by Doug Collette


Over the course of some fifty-plus years, the bands of John Mayall have served as a proving ground for some estimable guitarists. Eric Clapton, Mick Taylor and Peter Green are just the most famous axemen who've aided and abetted “The Godfather of British Blues." Yet, in all that extended time, he has never before had a ...

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Article: Album Review

Luther Russell: Medium Cool

Read "Medium Cool" reviewed by Doug Collette


The photo of Luther Russell wearing shades inside this digipak perfectly captures the attitude of this album's title, albeit with slightly self-effacing charm. But the music resounds even deeper in that regard. Russell's longstanding independence is the source of the infectious immediacy in his rock, and his do-it-yourself approach to making records creates loose, scrappy power ...

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Article: Album Review

Mark Feldman's Level 5: The Sybil EP

Read "The Sybil EP" reviewed by Doug Collette


Jazz-rock fusion may have peaked in popularity back in the 1970s, but it has remained an integral sub-set of jazz ever since. That said, those traits that undermined its force back then--fake funk and over-emphasis on technique--have remained so pervasive within the hybrid that truly distinctive entries in the genre are few and far between. The ...


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