Results for "Donald Byrd"
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Donald Byrd
Born:
Trumpeter Donald Byrd was born in Detroit in 1932, his studies at Wayne State University (1954) were interrupted by military service, during which he played in an Air Force band. He then attended the Manhattan School of Music (MA in music education). At the same time he was the favorite studio trumpeter of the bop label Presitge (1956-58), though he also recorded frequently for Riverside and Blue Note.
He gave performances with George Wallington (1955), Art Blakey (1956), and along with Gigi Gryce was a member of the Jazz Lab Quintet (1957). He also performed with Max Roach, Sonny Rollins, John Coltrane, and others, before settling into a partnership with Pepper Adams (1958-61). After studying composition in Europe (1963-63) Byrd began a career in black music education, teaching at Rutgers, the Hampton Institute, Howard University, and (after receiving a law degree, 1976) North Carolina Central University; in 1982 he was awarded a doctorate by Columbia Teachers College.
Detroit Jazz Festival 2023: A Celebration of Home
The 2023 Detroit Jazz Festival is almost upon us, taking place in its annual Labor Day weekend slot on the yearly jazz festival calendar. The largest free jazz festival in the world brings the music to the people of Detroit, and the world, on September 1-4 in downtown Detroit and in Hart Plaza along the Detroit ...
A Conversation with Tim Hagans
by AAJ Staff
This interview was first published at All About Jazz on December 1998. We spoke with Tim Hagans at Los Angeles's Jazz Bakery in January of this year for his last Blue Note release, a tribute to Freddie Hubbard entitled Hubsongs with fellow trumpeter Marcus Printup. He informed me that he was planning on releasing ...
Dorothy Ashby: With Strings Attached, 1957-1965
by John Chacona
Imagine if Sidney Bechet, Charlie Christian and Jimmy Smith were barely remembered and recordings of their music were long unavailable and known only on the geekiest corners of Discogs. That is essentially the status of harpist Dorothy Ashby. Like the three figures cited above, Ashby essentially created a language for her chosen instrument, the harp, where ...
Clifford Jordan: Drink Plenty Water
by Dave Linn
In August 1974, Clifford Jordan entered the studio for what was to be the follow-up to his acclaimed 2-LP set, Glass Bead Games (1973) for his third album on the Strata-East label. Sadly, the label folded in 1975, and the album was never released. Now, 49 years later, Drink Plenty Water, has finally seen the light ...
Violin Works For Jazz, Coltrane Between Miles And Sheets Of Sound
by David Brown
In week's edition we visit vivacious violin works in jazz from Ray Nance of the Ellington Outfit, Billy Bang & His Quartet, Jennifer Curtis with Tyshawn Sorley and a new release form NYC-based South Korean violinist Katherine Kyu Hyeon Lim. We'll also check in on some post Miles, pre-Atlantic/Impulse recordings from John Coltrane. Teddy Wilson the ...
Keigo Hirakawa: Pixel
by Neil Duggan
Science and jazz do not come up too often in the same conversation. Even more unlikely is that spatio-spectral colour filter array design will feature. Unless you happen to be talking with the Ivy League-educated researcher and professor at the University of Dayton, Ohio, Keigo Hirakawa. His work in image processing is part of a major ...
Dorothy Ashby: With Strings Attached, 1957-1965
by Angelo Leonardi
Questo lussuoso cofanetto di sei LP in edizione limitata dedicato all'arpista Dorothy Ashby è un importante contributo che colma l'attuale vuoto di registrazioni e rende giustizia a un'artista tanto importante quanto dimenticata. Non troverete il suo nome sulle massime storie ed enciclopedie del jazz, e la sua morte prematura dell'aprile 1986 (aveva 55 anni) fu data ...
Donald Byrd: Black Byrd
by Ian Patterson
It's time to celebrate. Nearly fifty years after the event, Donald Byrd's 1973 performance at the Montreux Jazz Festival finally sees the light of day. Like many of his contemporaries, Byrd had turned to electric jazz-fusion towards the end of the '60s, and this live set bears all the hallmarks of a hard bopper who had ...
Donald Byrd: The Emperor
by Chris May
"The Emperor" is the killer track on Donald Byrd's 1972 masterpiece Ethiopian Knights (Blue Note), an album which took Miles Davis' contemporaneous electric experiments, stripped them of their wannabe rockstar aspirations and reframed them with a deep funk sensibility. Byrd, tenor saxophonist Harold Land, trombonist Thurman Green, vibes player Bobby Hutcherson and others bounce off plugged-in ...
