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Donald Byrd

Trumpeter Donald Byrd was born in Detroit in 1932, his studies at Wayne State University (1954) were interrupted by military service, during which he played in an Air Force band. He then attended the Manhattan School of Music (MA in music education). At the same time he was the favorite studio trumpeter of the bop label Presitge (1956-58), though he also recorded frequently for Riverside and Blue Note. He gave performances with George Wallington (1955), Art Blakey (1956), and along with Gigi Gryce was a member of the Jazz Lab Quintet (1957). He also performed with Max Roach, Sonny Rollins, John Coltrane, and others, before settling into a partnership with Pepper Adams (1958-61)

ARTICLE: PROFILE

Gigi Gryce

Read "Gigi Gryce" reviewed by AAJ Staff

From the 1995-2003 archive: This article first appeared at All About Jazz in 2002. Gigi Gryce was a special kind of musician--the kind often overlooked by the mainstream jazz world today, but widely respected by those familiar with his all too brief time under the jazz spotlight of the 1950s. More often rated as ...

NEWS: TV / FILM

Barney Wilen and Donald Byrd

Barney Wilen and Donald Byrd

In the summer of 1958, the Donald Byrd Quintet arrived in Paris to play at the Au Chat Qui Peche, a Left Bank jazz club. Also that summer, French saxophonist Barney Wilen was approached by film producer Sandro Bocola, who had an idea. In December 1957, Wilen had recorded with Miles Davis on the soundtrack to ...

ARTICLE: BOOK EXCERPTS

DOCTONE: An oral history of legendary pianist Kenny Kirkland (1955-1998)

Read "DOCTONE: An oral history of legendary pianist Kenny Kirkland (1955-1998)" reviewed by Noah Haidu

In chapter 2 of my book Doctone, I interviewed drummer Billy Hart and we discussed his interaction with Kenny Kirkland as he emerged in the 1970's fusion scene, his unique personality, the “Kirklandese" language and Kenny's legacy as one of the great pianists and composers in this music Noah Haidu: What were your first ...

ARTICLE: ALBUM REVIEW

Eric Binder: Hard Bop

Read "Hard Bop" reviewed by Phillip Woolever

Eric Binder is a drummer based in the Chicago area gaining recognition as a teacher and technician who combines slick sequencing and academic awareness to create modern masterworks with a classic jazz sound. This abbreviated yet consistently inspiring album affirms Binder as a rising force on the US jazz scene. Authenticity is obviously vital ...

Blue Note Records: Lost In Space: 20 Overlooked Classic Albums

Read "Blue Note Records: Lost In Space: 20 Overlooked Classic Albums" reviewed by Chris May

For anyone with a passion for Blue Note, it is hard to conceive of an album that has been “overlooked," let alone twenty of them. For connoisseurs of the most influential label in jazz history, the passion can be all consuming: if a dedicated collector does not have all the albums (yet), he or she will ...

ARTICLE: RADIO

Another Set of Recent Listeners’ Favorites

Read "Another Set of Recent Listeners’ Favorites" reviewed by Marc Cohn

The number of the week is five (as in Show 435)! So, it's time for listener favorites from recent shows (421-430). WHYR, Mixcloud, Pacifica and All About Jazz messages, emails, and one-on-one (masked!) feedback in the grocery store are all considered. That would generate some five to six hours of material. So, we have to exercise ...

ARTICLE: ALBUM REVIEW

Larry Willis: I Fall in Love Too Easily

Read "I Fall in Love Too Easily" reviewed by Jack Bowers

I Fall in Love Too Easily is subtitled “The Final Session at Rudy Van Gelder's," as it is not only descriptively but literally the last recording session by veteran pianist Larry Willis, who died at age seventy-six in September 2019, one year after the album was completed at the renowned Van Gelder studio in Englewood Cliffs, ...

ARTICLE: INTERVIEW

Tom Lawton: Not Less Than Everything

Read "Tom Lawton: Not Less Than Everything" reviewed by Victor L. Schermer

Not known, because not looked for But heard, half-heard, in the stillness Between two waves of the sea. Quick now, here, now, always-- A condition of complete simplicity (Costing not less than everything) --T.S. Eliot, Four Quartets; “Little Gidding" This poetic quotation ...


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