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Don Shirley
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Donald Walbridge Shirley was an American classical and jazz pianist and composer. He recorded many albums for Cadence during the 1950s and 1960s, experimenting with jazz with a classical influence. He wrote organ symphonies, piano concerti, a cello concerto, three string quartets, a one-act opera, works for organ, piano and violin, a symphonic tone poem based on the novel Finnegans Wake by James Joyce, and a set of "Variations" on the legend of Orpheus in the Underworld. Born in Pensacola, Florida, Shirley was a promising young student of classical piano. Although he did not achieve recognition in his early career playing traditional classical music, he found success with his blending of various musical traditions. During the 1960s, Shirley went on a number of concert tours, some in Deep South states
Ahmad Jamal: Forward Momentum
by Ian Patterson
In memory of the venerable Ahmad Jamal. This article was first published on All About Jazz on July 6, 2010. Ahmad Jamal, possibly the most influential of living jazz pianists, turned 80 years young on July 2, 2010. It is however, business as usual and instead of celebrating at home in his slippers, Jamal ...
2019: The Year in Jazz
by Ken Franckling
The year 2019 was robust in many ways. International Jazz Day brought its biggest stage to Australia. An important but long-shuttered jazz mecca was revived in a coast-to-coast move. ECM Records celebrated a golden year. The music and its makers figured prominently on the big screen. The National Endowment for the Arts welcomed four new NEA ...
Lee Morgan, Kyle Nasser & More
by Joe Dimino
The young and very talented Christian Sands leads off this week's episode of Neon Jazz with music from his 2018 CD Facing Dragons. We then segue into his mentor Dr. Billy Taylor and profile Massachusetts native saxophonist Kyle Nasser with music from his latest disc Persistent Fancy. The talented group of young cats manufacturing a funk/jazz ...
Green Book: A Serious Comedy and Jazz Allegory
by Victor L. Schermer
Green Book DreamWorks Universal 2018 Starting perhaps in the 1930s, African American jazz musicians and bands from the north, midwest, and west toured the segregationist South. There they found to their dismay that as much as they were sought after for performances, they were compelled to live in separate hotels and use ...