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News: Radio

Miles Davis: Long Time Gone

Miles Davis: Long Time Gone

This is how co-host Renee Montagne of National Public Radio’s Morning Edition opened one of the program’s hours this morning. We’re kind of blue. Miles Davis died 25 years ago today. It came as a shock to realize how quickly that sizeable amount of time has passed; and a comfort to know that a major creative ...

301

Article: Interview

Evan Weiss: Soundscapes

Read "Evan Weiss: Soundscapes" reviewed by Marshall Taylor


Stylistically, Evan Weiss, an up-and-coming composer, arranger and player in the jazz idiom, is a hard nut to crack. Weiss' recent release, Math or Magic (Inner Circle, 2010), contains soundscapes produced by an 11-piece ensemble. The tunes, rich and dense in their orchestration, tread through an array of musical environments teeming with subtly placed electronic sound ...

451

Article: Live Review

Don Lanphere, Northwest Sax Legend

Read "Don Lanphere, Northwest Sax Legend" reviewed by AAJ Staff


Submitted on behalf of Doug Miller. The first time I met Don Lanphere was at Jazz Alley in Seattle. It was 1988, and I was playing a week-long gig there with James Moody. I went back to the band room to find Moody talking to a robust looking man. This person was wearing a beige sweater ...

Album

Home at Last

Label: Unknown label
Released: 2003

Album

Home At Last

Label:
Released: 2002
Track listing: 1. The Night Has a Thousand Eyes (Garrett/Wayne/Weisman) - 6:32 2. Alone Together (Dietz/Schwartz) - 8:15 3. My Ideal (Whiting) - 6:51 4. Invitation (Kaper) - 8:21 5. Violets for Your Furs (Dennis) - 5:40 6. Home at Last (Mobley) - 6:55 7. Solar (Davis) - 6:47 8. Estate (Brighetti/Martino) - 6:14 9. End of a Love Affair (Redding) - 5:04 10. Goodbye (Jenkins) - 4:51

117

Article: Album Review

Don Lanphere: Home At Last

Read "Home At Last" reviewed by Joseph Blake


Veteran tenor saxophonist Don Lanphere is a modern Lazarus, a bebop-blowing master brought back to life by Jesus. The 73-year-old Yakima-bred musician was a teenaged fixture on the New York scene during 52nd Street heyday. He made his recording session debut with Max Roach and Fats Navarro in New York in 1948 and hung out with ...


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