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Dinah Washington

The versatile vocalist Dinah Washington was born Ruth Lee Jones in Tuscaloosa Alabama on August 29th 1924. She grew up in Chicago where her family moved in 1928. Her mother was heavily involved in church community centered around St Luke’s Baptist and Dinah was surrounded by gospel and church music since her early childhood. She exhibited musical talents at an early age and was part of the church choir playing the piano and singing gospel in her early teens. At age 15, enamored by Billie Holiday, she started playing and singing the blues in local clubs and made quite a name for herself

ARTICLE: RADIO

Slide Hampton & Dinah Washington

Read "Slide Hampton & Dinah Washington" reviewed by Joe Dimino

Our 673rd episode of Neon Jazz begins with the prolific pianist and composer Roger Kellaway. We talked to him about the COVID-19 lockdown as we have done with so many other musicians during 2020. Some other musicians interviewed or profiled during this hour of jazz is Scott Colley, Pete McGuiness and Robin McKelle. We pay our ...

ARTICLE: LIVE REVIEW

Montreux Jazz Artists Autumn of Music

Read "Montreux Jazz Artists Autumn of Music" reviewed by Martin McFie

The Montreux Palace Autumn of Music Montreux Switzerland 12-17 October 2020 The obvious, burning question for Montreux Jazz Festival press officer Marc Zendrini, concerned plans for the Festival in 2021. He replied “We have safe possibilities for outside performance next summer, all along the lakefront. But for which artists, on what ...

ARTICLE: RADIO

Jeff Rupert, Betty Carter, Gary Peacock and More

Read "Jeff Rupert, Betty Carter, Gary Peacock and More" reviewed by Joe Dimino

This week we focus on brand new material from artists that don't get the attention they deserve in the world of jazz. We begin with Jeff Rupert teamed up with the legendary George Garzone and make our way to trombonist Ryan Keberle. We profile new music from Polish saxophonist Sywester Ostrowski and Bobby Watson paying their ...

ARTICLE: INTERVIEW

Emma Swift's Multitudes

Read "Emma Swift's Multitudes" reviewed by Eric Gudas

As its title suggests, Blonde on the Tracks, Australian-born, Nashville-based singer-songwriter Emma Swift's first full-length album, re-interprets songs from the heart of Bob Dylan 1960s and '70s catalog, although its span covers his most recent work. Swift belongs to the generations of listeners who grew up on the songs of Gram Parsons}], Dylan, {{m: Joni Mitchell, ...

ARTICLE: RADIO

Nothing Like You - A Birthday Shoutout to Dorothy Parker

Read "Nothing Like You - A Birthday Shoutout to Dorothy Parker" reviewed by Mary Foster Conklin

This week we feature new releases from trumpeter Eddie Henderson, vocalist Allegra Levy, trombonist Emily Asher's Garden Party and drummer John Hollenbeck with birthday shoutouts to Dorothy Parker (pictured), Carolyn Leigh, Adrienne Fenemor, Dinah Washington, Charlie Parker (100!), Alice Coltrane, Cecile McLorin Salvant, Mimi Fox and more. Thanks for listening and please support the artists you ...

ARTICLE: INTERVIEW

Meet Andy Bey

Read "Meet Andy Bey" reviewed by Chris M. Slawecki

From the 1995-2003 archive: This article first appeared at All About Jazz in February 2000. Listening for the first time to Andy Bey is like stepping into a quiet, still lake. Your foot first parts a surface that's smooth and tranquil, but you can't really tell from that surface how deeply your foot must ...

ARTICLE: INTERVIEW

Jimmy Cobb: We're Remembering U

Read "Jimmy Cobb: We're Remembering U" reviewed by Scott H. Thompson

Drummer Jimmy Cobb was a 91-year old NEA Jazz Master who was (until recently) still playing hard and keeping the groove with his trio consisting of Tadataka Unno on piano and Paolo Benedettini on drums. Remembering U (his 12th album as a leader and first release on his own Jimmy Cobb World label) was released in ...

ARTICLE: REASSESSING

Piano

Read "Piano" reviewed by C. Michael Bailey

Following his debut as a leader on, Wynton Kelly: New Faces -New Sounds (Blue Note, 1951), pianist Kelly surfaced again some seven years later, this time on Riverside Records, with the simply titled Piano. The length of time between leader recordings is a testament to the pianist's value in a supporting role for artists like Dinah ...

ARTICLE: REASSESSING

New Faces - New Sounds

Read "New Faces - New Sounds" reviewed by C. Michael Bailey

The jazz name Wynton Kelly is typically associated with other artists' endeavors, such as John Coltrane's Giant Steps (Atlantic, 1959), Miles Davis' Kind of Blue (Columbia, 1959) or Wes Montgomery's Smokin' at the Half Note (Verve, 1965), just to mention three landmark recordings. While he always seemed best cast in supporting roles, Kelly did have a ...


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