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Mats Gustafsson: Share The Moment
by John Sharpe
Reedman Mats Gustafsson resides at the center of a hurricane of activity: relentlessly touring, curating festivals and begetting record labels. He boasts one of most distinctive sounds in free jazz, combining the extremes of scalp prickling howls with adventurous exploration of minimalist tone and timbre. Although he's come a long way since his early days in ...
Larks' Tongues in Aspic (40th Anniversary Series Box)
by John Kelman
The idea of a 15-disc box set to commemorate the release of what was, in 1973, a single vinyl LP clocking in at a mere 46 minutes might seem a tad excessive, but when you're talking King Crimson and the seminal Larks' Tongues in Aspic, it's a whole other story. Beyond being an important addition to ...
Two Sides of Fred Frith
by John Eyles
From the very start of his musical career, guitarist Fred Frith has been equally at home as an improviser, a songwriter or a combination of the two. His first group, the legendary Henry Cow, always featured a balance between songs that were used as a springboard for improvisation and free improvisations. In contrast, his debut solo ...
Jan Bang / Erik Honore: Uncommon Deities
by John Kelman
Jan Bang / Erik Honoré Uncommon Deities SamadhiSound 2012 As the 2012 Punkt Festival debuts its eighth annual edition at its home base of Kristiansand, Norway--but this time, in the brand new, state of the art Kilden Performing Arts Centre--it has gradually evolved into something more than just a festival. The ...
Noël Akchoté, Jean-Marc Foussat and Roger Turner: Acid Rain
by Eyal Hareuveni
This free improvised meeting between prolific French guitarist Noël Akchoté and analog synthesizer wizard Jean-Marc Foussat, and British drummer Roger Turner is unique, and not just because of these experienced improvisers' breadth of the musical language. The trio's collective sound is a multilayered, reflecting on progressive rock in its early experimental days, muscular fusion showoffs and ...
Freeform in the U.K.
by Sammy Stein
Freeform and improvised jazz is having a hard time at the moment. Venues have to make tough choices between pleasing what is a smaller cohort of customers and bringing new, maybe transient, but paying clients who are attracted by big names, standards and music they know. Customers have less cash in these difficult economic times, so ...
Valby Summer Jazz 2012: Copenhagen, Denmark, July 6-15, 2012
by Jakob Baekgaard
Valby Summer JazzPrøvehallen in Valby and The Betty Nansen TheatreCopenhagen, DenmarkJuly 6-15, 2012 Good things tend to grow, at least when there's passion and dedication involved, and Valby Summer Jazz, which primarily takes place at the outskirts of Copenhagen in the suburb of Valby, is indeed a labor of love that ...
Take Five With Roman Stolyar
by AAJ Staff
Meet Roman Stolyar: Born in Novosibirsk, Siberia, Russia. Raised in a family of engineers. Started studying piano at the age of five but rejected to continue it at the age of twelve. Went back to music being a student of Novosibirsk Technical University; ultimately, decided to quit nuclear physics. Graduated from Novosibirsk College of ...
Yes. But Is It Jazz?
by Mark Corroto
Jazz comes at you from so many directions these days, that to rely on just one definition, is not enough. Sure, it can be a blues-based rhythmic music but it is also minimalist free improvisation. Pigeonholing something, such as jazz, always separates and eventually segregates supporters, creating conflicts and in the end lessening the whole.
Stian Westerhus: Pitch Black Star Spangled
by John Kelman
With advances in technology allowing musicians to turn real-time solo performances into works of near-orchestral expansiveness, the concept of a solo guitar album has become something much different than when guitarists like Lenny Breau turned the instrument on its side with Five O'Clock Bells (Genes, 1977), deceptively sounding like the work of two guitarists with no ...
