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Ivor Cutler: A Life Outside The Sitting Room
by Bruce Lindsay
The following is an excerpt from Chapter 6 (A Life of Whimsical Fantasies) and 9 (A Life on the Page), from Ivor Cutler: A Life Outside The Sitting Room (Equinox Publishing, 2022). Chapter 6: A Life of Whimsical Fantasies Ivor's love of jazz, formed during his teens and early-20s, remained strong and he visited ...
Henry Lowther's Quarternity: Never Never Land
by Chris May
The British trumpeter and composer Henry Lowther, who first made an impact in the 1960s and released the well received album Can't Believe, Won't Believe (Village Life) in 2018, came to jazz via a circuitous route. After playing cornet in a provincial Salvation Army band, he moved to London around 1960 to study violin at the ...
Dave Green Trio plus Evan Parker: Raise Four
by Duncan Heining
Bassist Dave Green recorded this set for the BBC Radio 3 programme Somethin' Else in 2004. In the interview included here with the show's presenter Jez Nelson, Green reflects on a forty year career in jazz. It is fitting that this fine record, only his fourth as leader, sees its release in the year Green marks ...
Blue Beginnings
By Don Rendell
Label: Jazz In Britain
Released: 2021
Track listing: Blue Doom; Autumn Leaves; Garrison ’64; Shades Of Blue; Sailin’; Latin Blue; You’ll Never
Know; Big City Strut.
Guitar Gods & Goddesses: An Alternative Top Ten Albums
by Chris May
Although it has been present in jazz since the 1920s, when it was routinely used in rhythm sections, as a solo instrument the guitar struggled to make itself heard--literally--until the second half of the 1930s, when reliable pick-ups and portable amplifiers became available. Foremost among the pioneers of the electrified instrument was Charlie Christian, a member ...
Results for pages tagged "Dave Green"...
Dave Green
Born:
Born in London in 1942, he started on tea-chest bass in local skiffle groups before buying his first double bass at fifteen. Local gigs followed, often with neighbour Charlie Watts and trumpeter Brian Jones.
Turning professional in 1963 he worked with Keith Ingham and with multi instrumentalist Pete Shade. He joined the Don Rendell Quintet in the December, and remained with until 1969, by which time it had become the Don Rendell-Ian Carr Quintet. In 1964 he worked with Benny Goodman on TV. In 1965 he joined Humphrey Lyttelton, remaining with the band for eighteen years, but managing to combine the work with playing with Stan Tracey, and accompanying many visiting American jazzmen.
Henry Lowther: can't believe, won't believe
by Bruce Lindsay
If any jazz ensemble can be said to define the word “prolific" it's not Henry Lowther's Still Waters. The band's debut album, ID, appeared in 1997. can't believe, won't believe is its second release, just 21 years later. Good things, as they say, come to those that wait. Bandleader, composer and trumpeter Lowther has ...
Malcolm Griffiths: A Man For All Seasons
by Duncan Heining
We talk often of the stars, like 'Trane and Miles. We remember the bandleaders, such as Basie and Duke. We even recall the composers and arrangers, Ellington again, Gil Evans and Monk. And we never forget those star soloists like Johnny Hodges or Lester Young. But the guys in the machine room, the guys who make ...
Martin Speake: The Thinking Fan's Saxophonist
by Duncan Heining
British alto saxophonist, Martin Speake, is one of the most adventurous and articulate musicians in a music peppered with creative artists. That he is not a household name--even within the proscribed and marginalised world of jazz--says more about the times than it does about Speake or his single-minded approach to his art. Speake combines ...
Joe Harriott-Amancio D’Silva Quartet: Hum Dono
by Duncan Heining
All credit to Dutton Vocalion for making Hum Dono available again. It's open to question, of course, whether the record should be seen as a Harriott date at all. The Goan guitarist, Amancio D'Silva, is certainly more than a junior partner here and provides five of the record's six tunes, as well as shaping its whole ...
