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Russ Morgan
Born:
Russell Morgan (born in Scranton, Pennsylvania on April 29, 1904) was an American swing-era big band leader, arranger, composer and trombonist best known for his radio show Music in the Morgan Manner and his composition "You're Nobody till Somebody Loves You", which he co-wrote with Larry Stock and James Cavanaugh in 1944. Morgan's musical career began in the 1920s, when his skills as an arranger brought him work with some of the era's top bands, including those of Fletcher Henderson and Paul Whiteman, then known as the "King of Jazz". He went on to lead a succesful "sweet" band himself and become a popular figure on radio in the 1930s and 1940s
Results for pages tagged "Dance Band"...
Carroll Gibbons
Born:
Carroll Gibbons was a distinguished American-born pianist, bandleader and composer who became a defining figure in British Dance Band music during the 1930s and '40s. Best known for his elegant work with the Savoy Hotel Orpheans, Gibbons brought a refined jazz sensibility to popular music, blending American influences with a uniquely British charm. His smooth arrangements, stylish piano playing, and keen ear for melody earned him acclaim both in the UK and abroad. Gibbons also composed several enduring tunes, including “A Garden in the Rain”, leaving a lasting legacy in the world of light jazz and popular standards.
About Tommy Tucker
Instrument: Multi-instrumentalist
Results for pages tagged "Dance Band"...
Tommy Tucker
Born:
Tommy Tucker was a popular swing-era bandleader, pianist, accordionist and trombonist who led one of the most refined "sweet" bands of the 1930s and '40s. Born Gerald L. Duppler on May 18, 1903, in Souris, North Dakota, Tucker adopted his stage name during his rise in the Midwest dance band circuit. His orchestra gained national attention through novelty recordings for labels such as Columbia and Vocalion, and also by maintaining a polished, danceable style that contrasted with the hotter swing bands of the time. Though not a jazz innovator in the same way as Duke Ellington or Earl "Fatha" Hines, Tucker’s ensemble featured skilled sidemen and occasional jazz soloists, and his music remains a perfect example of the elegant ballroom tradition
