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Benjamin Lackner: Last Decade

by Dan McClenaghan
In a 2006 interview for All About Jazz written by Joao Moriera dos Santos, pianist/keyboardist Benjamin Lackner was asked: What label would you like to be on in the near future?" He said, simply, ECM." That seemed ambitious for Lackner at that stage of his career. He was 29 years old at the time and boasted ...
Collin Sherman: Organism Made Luminous

by Dan McClenaghan
The Covid pandemic slowed artistic progress for many musicians. Opportunities to collaborate became scarce; live music in front of an audience blinked out. However, the enterprising players out there found a way. File sharing and solo projects blossomed, and thesealong with the relative affordability of home studio set upshad an invigorating effect on musical creativity. If ...
Hermanos Gutierrez: El Bueno Y El Malo

by Dan McClenaghan
There is nothing fancy about this music. A couple of guys with guitars--Hermanos Gutiererrez, playing without pretense inside subtle, almost subliminal accompaniments, making sounds that have an on-the-surface simplicity permeated by a sense of the profound. The Ecuadorian-born, Swiss-raised Estavan Gutierrez and Alejandro Gutierrez are the brothers, los hermanos. When Alejandro and I are ...
Amina Figarova: Joy

by Dan McClenaghan
Pianist Amina Figarova released an album in 2005 that was about as far away from the theme of joy" as could be. September Suite (Munich Records) explored the deadly events of September 11, 2001 (she was in New York at the time; she experienced it). It is an album that she called: An Ode to Mourning ...
Archival Recordings From Ahmad Jamal

by Dan McClenaghan
Zev Feldman is a music sleuth, the Hercule Poirot of archival performances. His record label, Jazz Detective, a division of Deep Digs Music Group, here finds Feldman presenting a new discovery of previously unreleased archival soundstwo double CD-sets (also offered on vinyl) of pianist Ahmad Jamal: Emerald City Nights: Live At the Penthouse 1963-1964; and Emerald ...
Ernesto Cervini: Joy

by Dan McClenaghan
Joy. That's how Canadian drummer Ernesto Cervini rolls. All of his musical undertakings--and there are many--strut along the sunny side of the street with smiles on their faces, carnations in their lapels. Indeed, in his side gig as the boss of Orange Grove Publicity--representing some of Canada's finest jazz artists-- joy, positivity and general all around ...
Tim Berne - Matt Mitchell: One More Please

by Dan McClenaghan
Saxophonist Tim Berne has gained most of his notoriety via small group recordings, with ensembles such as Big Satan, Hard Cell, Snakeoil and Science Friction. His partnership with ECM Records, beginning with 2012's Snakeoil--after a few sideman contributions on the label--lifted his profile, deservedly. His approach to making music might be called out there in deep ...
Julian Lage: View With A Room

by Dan McClenaghan
View With A Room looks in on two generations of American guitarists; the younger generation is represented by Julian Lage, the leader of the effort, and the older generation by Bill Frisell, who sits in on seven of the ten original Lage tunes ("Echo" is co-written by Lage and the set's bassist Jorge Roeder).
Gentiane MG: Walls Made of Glass

by Dan McClenaghan
Montreal-based pianist Gentiane Michaud-Gagnon, aka Gentiane MG, got her start in music with the classical side. It was Bill Evans' Portrait In Jazz (Riverside Records, 1960) that nudged her in the direction of the possibilities that improvisation offered. With this in mind, it seems fitting that the cover art for her third album release--Walls Of Glass--features ...
Triio: Six-ish Plateaus

by Dan McClenaghan
Canadian bassist Alex Fournier takes inspiration from some of the best, most notably bassist/cellist/composer Andrew Downing and bassist/composer Michael Formanek. Both of these mentors sit outside the mainstream, but not far off, within spitting distance we might say. Six-ish Plateaus, by Fournier's Triiowhich is not a trio but rather a sextet--explores the hybrid of written material ...