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Leslie Pintchik: Prayer For What Remains
by Dan McClenaghan
As a doctoral candidate at Columbia University studying 17th-century English literature and working as a teaching assistant, Leslie Pintchik could have moved into a life of academia. But, an old story: jazz called. She wanted a music career. A clear-eyed financial advisor might have tried to dissuade her, pointing out the problems and pitfalls of making ...
Bill Evans: In Norway
by Dan McClenaghan
Pianist Bill Evans' career lasted from the late 1950s until his passing in 1980, but beginning around about 20 years into the 21st century CD releases under Evan's name have been rolling along at a brisk clip, thanks to the Resonance, Elemental and Ess- thetics Record labels. Zev Feldman, often called “The Jazz Detective," has played ...
Angell & Crane: Angell & Crane
by Dan McClenaghan
Montreal-based artists Simon Angell and Tommy Crane make what they call “jazz-adjacent improvised music." Angell plays bass and guitars, along with synths. Crane crafts his sounds with drums and percussion, programming synths and a vibraphone. Mix in some vocalese by Sarah Rossy and alto sax and flute from Charlotte Greve and we have Angell & Crane, ...
Thelonius Garcia: Marche Nocturne
by Dan McClenaghan
The first name Thelonious--does it come from the word theology? Is a parent giving a newborn a form of divinity with the appellation? This is speculation; the answer is up in the air, but the most famous Thelonious is Thelonious Sphere Monk, one of the brightest of jazz stars to emerge in the age of bebop. ...
David Friesen: A Light Shining Through
by Dan McClenaghan
The music of bassist David Friesen is inspired by two major sources: his ancestral Ukrainian roots and his Christian faith. While the Christian aspect of the inspiration is probably long-term, the familial roots part of the equation seems to have gained traction with Testimony (Origin Records, 2021), a piece recorded with a jazz quartet 2018 in ...
Collin Sherman: Noir
by Dan McClenaghan
Making music is most often a collaborative affair. Big bands, duos, trios, quartets and quintets--take your pick. Miles Davis (or any other of your favorites) calls his guys into the studio or to the stage where they bump elbows and trade riffs, drawing their individual personalities out to form a collection of sound waves to craft ...
Andy Wheelock: Whee3trio: In The Wheelhouse
by Dan McClenaghan
The first minute of an imminent immersion into the sound of In the Wheelhouse, by drummer Andy Wheelock and the Whee3trio, is “rhythm, rhythm, rhythm." The second impression is “Africa." This is not surprising given that Wheelock took a good deal of his inspiration for this effort via his study of the Ghanaian gyil, a type ...
Andrew Hill Sextet Plus Ten: A Beautiful Day, Revisited
by Dan McClenaghan
The heyday of pianist Andrew Hill (1931-2007) happened during his hang with Blue Note Records, where he released ten albums between 1963 and 1970, including 1964's Black Fire, a splendid quartet session featuring saxophonist Joe Henderson; 1964's Point Of Departure), that featured a freewheeling sextet that included Henderson, multiple reedist Eric Dolphy and trumpeter Kenny Dorham; ...
Arun Ramamurthy Trio: New Moon
by Dan McClenaghan
Violinist Arun Ramamurthy is a first-generation Indian American artist. His ancestral roots in India run deep, and his musical roots there run deep, too. He has embraced American jazz but remains artistically tethered to his parents' homeland. 2014's' Jazz Carnatica (Self Produced) (review here), by his Arun Ramamurthy Trio, showcased his talents for walking the line ...
Satoko Fujii Quartet: Dog Days Of Summer
by Dan McClenaghan
Satoko Fujii Quartet's Dog Days Of Summer has been a long time coming. It is the re-emergence of one of her most exciting bands, the Satoko Fujii Quartet. They had a great run from 2002's Vulcan (Libra Records) until 2008's Baccus (Muzak Records). Then the group went into a dormancy. In the meantime, Fujii has released ...
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