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220

Article: Album Review

Ralph Peterson: The Art of War

Read "The Art of War" reviewed by C. Andrew Hovan


Just on the verge of marking his 40th year on the planet, drummer Ralph Peterson is not old enough to be considered an elder statesmen, but certainly has moved passed the period usually defined with being a young lion. He’s had his ups and downs and seems to be currently on a new path towards documenting ...

97

Article: Album Review

Clarence Penn Quintet: Play-Penn

Read "Play-Penn" reviewed by David A. Orthmann


Listening to a band rummage through a number of modern jazz styles during the course of a set is now closer to a rule than an exception. Shunning a single easily recognizable paradigm based on the music’s glorified past, many musicians embrace the vagaries of a constantly shifting artistic landscape. The best of them (quite a ...

148

Article: Album Review

Jim Rotondi: Reverence

Read "Reverence" reviewed by C. Andrew Hovan


Not since the days of Alfred Lion and Blue Note Records have we seen such a healthy stable of mainstream jazz artists develop as those men who currently make up the hard bop ensemble One For All. Eric Alexander, Steve Davis, David Hazeltine, Joe Farnsworth, and Jim Rotondi are all at the top of their games ...

198

Article: Album Review

David Hazeltine: Good-Hearted People

Read "Good-Hearted People" reviewed by C. Andrew Hovan


Although he was into his forties before the critical notices and accolades started to come; pianist David Hazeltine hasn’t wasted any time since then in actively putting forth his creative muse. As a member of One For All, Hazeltine has held a prominent place in the fashionable ensemble due to his charismatic writing. Furthermore, his catalogs ...

103

Article: Album Review

Jim Rotondi: Reverence

Read "Reverence" reviewed by C. Andrew Hovan


Not since the days of Alfred Lion and Blue Note Records have we seen such a healthy stable of mainstream jazz artists develop as those men who currently make up the hard bop ensemble One For All. Eric Alexander, Steve Davis, David Hazeltine, Joe Farnsworth, and Jim Rotondi are all at the top of their games ...

152

Article: Album Review

John Campbell: Workin' Out

Read "Workin' Out" reviewed by C. Andrew Hovan


Like so many guys out there who are doing their thing without much fanfare or public recognition, forty-five year old pianist John Campbell has been active on the jazz scene long enough to be called a veteran. A native of the Chicago area, Campbell gained valuable mainstream experience through past gigs with Clark Terry and the ...

144

Article: Album Review

Joe Magnarelli: Mr. Mags

Read "Mr. Mags" reviewed by C. Andrew Hovan


At a time when many contemporary jazz trumpeters seem to be pushing to the extremes (i.e. Russell Gunn’s rap/world beat groove or Dave Douglas’ avant stance), a player like Joe Magnarelli might seem more like a throw back to the past. A great reader and reliable sideman, Magnarelli can run down the bebop or blow pretty, ...

174

Article: Album Review

John Swana and The Philadelphians: Philly Gumbo

Read "Philly Gumbo" reviewed by David A. Orthmann


During a decade long association with the Criss Cross imprint, John Swana has produced an impressive aggregate of achievement, 15 discs in all, as a leader or featured sideman. On his own records, Swana usually adheres to the label's practice of utilizing a select pool of New York area musicians, ranging from young firebrands like Eric ...

234

Article: Album Review

Tim Ries Septet: Alternate Side

Read "Alternate Side" reviewed by Jim Santella


Dramatic modern mainstream jazz contains curious harmonic concepts and rhythmic variety. Leading with tenor and soprano saxophones, Tim Ries provides six original pieces and two standards, from which his ensemble extracts the essential elements. A leading section member with the bands of Maynard Ferguson and Maria Schneider, Ries holds a master's degree in performance and composition ...

129

Article: Album Review

Tim Ries Septet: Alternate Side

Read "Alternate Side" reviewed by Jim Santella


Dramatic modern mainstream jazz contains curious harmonic concepts and rhythmic variety. Leading with tenor and soprano saxophones, Tim Ries provides six original pieces and two standards, from which his ensemble extracts the essential elements. A leading section member with the bands of Maynard Ferguson and Maria Schneider, Ries holds a master's degree in performance and composition ...


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