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12

Article: Live Review

Jakob Bro, Lee Konitz, Bill Frisell, Thomas Morgan at DR Koncerthuset Copenhagen

Read "Jakob Bro, Lee Konitz, Bill Frisell, Thomas Morgan at DR Koncerthuset Copenhagen" reviewed by Henning Bolte


Jakob Bro, Lee Konitz, Bill Frisell and Thomas Morgan DR Koncerthuset (Danish Broadcasting Corporation) Balladeering tour Copenhagen, DenmarkMay 15, 2015 In Copenhagen on May 15th, at the new concert hall of the Danish Broadcasting Corporation: acclaimed Danish film director Jørgen Leth welcomed an audience of 800 spectators to announce the ...

4

Article: Album Review

Taylor's Universe: From Scratch

Read "From Scratch" reviewed by Dave Wayne


If nothing else, multi-instrumentalist, composer, and studio rat Robin Taylor is consistent. Stylistically, he's done it all. His recordings-all self-produced and issued on his own Marvel of Beauty imprint-over the past two decades encompass everything from ambient soundscapes to free improvisation to straight-up hard rock. The past decade or so finds Taylor working exclusively with what ...

3

Article: Album Review

Jakob Bro: Gefion

Read "Gefion" reviewed by Vincenzo Roggero


I primi centottanta secondi sono quasi impercettibili. Non è una questione di volume, ma di estetica, di dichiarazione di intenti. Jakob Bro si presenta così in Gefion sua prima fatica discografica per ECM, il silenzio, lo spazio, il suono, il Rainbow Studio di Oslo come compagni di viaggio al pari del batterista Jon Christensen e del ...

Article: Album Review

Ibrahim Electric: Rumours from Outer Space

Read "Rumours from Outer Space" reviewed by Vincenzo Roggero


Una chitarra elettrica Telecaster, un organo Hammond B3, una batteria e il viaggio nello spazio ha inizio. I tre astronauti hanno le sembianze di avventurosi musicisti danesi e il nome del power trio che li rappresenta la dice lunga sulle traiettorie spaziali percorse in questo Rumours from Outer Space. Ossia un crogiolo di ...

6

Article: Album Review

Svend Asmussen: Embraceable

Read "Embraceable" reviewed by Chris Mosey


In 1987 when he was a young man of 70, Svend Asmussen played a gig in a small club in Paris. This year, on the eve of his 100th birthday, the Danish violinist rediscovered a tape made of the evening for a Parisian radio station. He says: “I assumed it would be just another radio show ...

4

Article: Album Review

Sigurdur Flosason and Kjeld Lauritsen: Nightfall

Read "Nightfall" reviewed by Chris Mosey


Icelandic saxophonist Sigurdur Flosason gets a pretty unique sound out of his instrument. His silky, rhapsodic style of playing harks back to Johnny Hodges but with more bite. There are only the very faintest echoes of Charlie Parker and hardly any of John Coltrane. Yet Flosason is both inventive and soulful. This is ...

27

Article: Extended Analysis

Gefion

Read "Gefion" reviewed by John Kelman


It's been a long time coming. Jakob Bro made his first ECM appearance as a member of drummer Paul Motian's twin-sax/triple-guitar band on the late drummer's Garden of Eden (2006). Three more years passed before he returned, this time as a member of Tomasz Stanko's trans-European quintet on 2009's Dark Eyes--a group that evolved considerably from ...

2

Article: Album Review

Sigurdur Flosason/Kjeld Lauritsen: Daybreak

Read "Daybreak" reviewed by Chris Mosey


They used to call this kind of thing “mood music." The idea was to put the listener in a particular mood, usually one of calm and relaxation. When it came to jazz, the US label Prestige climbed on the bandwagon with a whole series titled--wait for it-- “Moodsville." Moodsville aimed at providing jazz ...

27

Article: Extended Analysis

Jakob Bro: Gefion

Read "Jakob Bro: Gefion" reviewed by Henning Bolte


Gefion, Danish guitarist Jakob Bro's ECM-debut as leader, is a fascinating reinvention of melodicism. His music leads listeners deep into the rich resonances emerging from brilliantly simple melodic motifs imbued with seductive atmospheres. Like Möbius strips his music's lines wind seemingly endlessly. Its evocative melodic nuclei very often reach the lower limits of dynamics, thereby opening ...

2

Article: Album Review

Sigurdur Flosason/Kjeld Lauritsen: Daybreak

Read "Daybreak" reviewed by Chris Mosey


They used to call this kind of thing “mood music." The idea was to put the listener in a particular mood, usually one of calm and relaxation. When it came to jazz, the US label Prestige climbed on the bandwagon with a whole series titled--wait for it-- “Moodsville." Moodsville aimed at providing jazz ...


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