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Aura
By Miles Davis
Label: Columbia Records
Released: 2000
Track listing: Intro; White; Yellow; Orange; Red; Green; Blue; Electric Red; Indigo; Violet.
Get Up With It
By Miles Davis
Label: Columbia Records
Released: 1974
Track listing: He Loved Him Madly; Maiysha; Honky Tonk; "Rated X; Calypso Frelimo; Red China Blues; Mtume; Billy Preston.
Wild Bill Davison: Wild Bill Davison: Pretty Wild & With Strings Attached
by Mike Neely
Wild Bill Davison did not always front a go-for-broke Dixieland band playing his cornet above a high-octane rhythm section. Arbors Records has reissued two albums featuring Davison with strings. Pretty Wild and With Strings Attached, originally recorded in 1956 and 1957, reveal a lyrical, reflective Davison playing ballads and slow to medium tempo standards. This other ...
The Mahavishnu Orchestra: Birds Of Fire
by John W. Patterson
First off, I shall quote my earliest, “first impressions”, upon receiving this remastered re-release, as a special pre-release demo copy,“WOW!, WOW! and WOW! Superb redo of this classic! This sounds as good as I had hoped it would. Grab it as soon as it is ready for release. Levels are way up, great separation ...
Branford Marsalis: Contemporary Jazz
by Mark Corroto
Although the penultimate release from Branford Marsalis was entitled Requiem, this outing for sure embodies a fitting tribute to Kenny Kirkland. The pianist died mid-recording of Branford’s last disc, shocking the young saxophonist and causing him to find a new rhythm section leader. Well actually Tain Watts is the center of any rhythm scene wherever he ...
Branford Marsalis: Contemporary Jazz
by Mark Corroto
Although the penultimate release from Branford Marsalis was entitled Requiem, this outing for sure embodies a fitting tribute to Kenny Kirkland. The pianist died mid-recording of Branford’s last disc, shocking the young saxophonist and causing him to find a new rhythm section leader. Well actually Tain Watts is the center of any rhythm scene wherever he ...
Ornette Coleman: The Complete Science Fiction Sessions
by David Adler
Listening to the first moments of “What Reason Could I Give," the lead-off track on this valuable reissue, one is reminded of Ornette Coleman's pervasive influence on present-day jazz composition. The expanded ensemble, the busy rhythms percolating underneath sustained chords and melodic figures, the dream-like vocals by Asha Puthli: all of it brims with the kind ...
Herbie Hancock: Future Shock, Sound System, Perfect Machine
by David Adler
Herbie Hancock’s electronic experiments for Columbia are quintessentially 80s, every bit as much as “hair bands" like Poison and Winger. But Hancock’s vision, and that of his co-producer Bill Laswell, has stood the test of time in a way that 80s rock most certainly has not. Granted, most of the music on Future Shock, Sound System, ...
Miles Davis: In A Silent Way
by John Ballon
Miles Davis was going through exciting musical changes in 1968, listening and playing things which were leading him into the future and into In a Silent Way. His music and lifestyle were being influenced by a wave of new sounds and ideas, and he was responding deeply to the music of James Brown, Sly Stone, and ...
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