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Louis Armstrong: The Complete Hot Five & Hot Seven Recordings, Volumes 1, 2 & 3
by Jim Santella
Recorded for the Okeh label between 1925 and 1928 in Chicago, these three albums (86999, 87010 & 87011) contain historic material that offers plenty of insight into all the jazz that was to follow in its footsteps. Columbia has preserved the sound, so that we get nothin’ but good music and no distractions. Their decision to ...
Miles Davis: In Person At The Blackhawk
by Nic Jones
Note: this four disc reissue includes two original 1961 Columbia releases: Friday Night At The Blackhawk, Complete (Volume 1) AC2K 8709 Saturday Night At The Blackhawk, Complete (Volume 2) AC2K 87100 Here's a transitional band at the height of its powers. Such was the longevity and variety of Davis's career that this ...
Miles Davis: The Complete In A Silent Way Sessions
by Aaron Rogers
In March of 1969, Miles Davis told Washington Post journalist Hollie West, “I have to change. It's like a curse." Not only did Davis live up to his Picasso-like evolution in 1969 with the power of a “curse," but his music held the jazz and rock worlds with a spell-binding voodoo. Nowhere in ...
Rosemary Clooney: Jazz Singer
by Jim Santella
Columbia’s compilation of vintage Rosemary Clooney gems comes with superb support. Throughout her career, the jazz singer always had that kind of expertise surrounding her. Jazz Singer starts off with the Duke Ellington Orchestra in an excerpt from Blue Rose. Clark Terry, Harry Carney and Jimmy Hamilton rip off delightful solos to complement the buoyant singer. ...
Ethel Waters: The Best Of Ethel Waters
by Jim Santella
She was one of the first jazz singers ever to record. The reissued tracks on Columbia’s superb compilation were originally released between December 1925 and November 1940. Here, the clear sound quality of her voice and the balanced, all star accompaniment beside her makes The Best Of Ethel Waters a fine addition to the CD library. ...
Miles Davis: In Person Saturday Night At The Blackhawk, Complete, Volume II
by Jim Santella
The four sets that grace this 2-CD volume were recorded on April 22, 1961 in San Francisco. Miles Davis was in his prime, and his rhythm section knew the tunes well. Each of the sets appears here in its original performance order. Since nine of the tracks have never been issued before, this 24-bit Super Bit ...
Miles Davis: In Person Friday Night At The Blackhawk, Complete, Volume I
by Jim Santella
The three sets that grace this two-CD volume were recorded April 21, 1961 in San Francisco. Miles Davis was in his prime. His rhythm section was tight. And since this was a nightclub appearance, the quintet’s improvisation continues for extended periods. The tracks vary in length, but most run for ten minutes or more, giving the ...
Dave Brubeck: The Essential Dave Brubeck
by Jim Santella
Dave Brubeck represents a generation of hard-working adults who followed World War II with ambition and success. At a time when retraining and advanced schooling helped millions to launch new careers, the pianist was adjusting to a new form of jazz. As the Modern Jazz Quartet formed its own distinctive air, Brubeck was coupling classical sounds ...
The Bad Plus: These are the Vistas
by C. Michael Bailey
Blasting out of the heartland, the Bad Plus spills onto the jazz landscape like strong waters, cleansing the palette of the recent barrage of jazz jam bands. Billed as the “loudest Jazz Piano Trio," the Bad Plus consists of bassist Reid Anderson, pianist Ethan Iverson, and drummer David King. Their music is compelling for two reasons. ...
Thelonious Monk: Monk's Dream/Monk/At Newport 1963 & 1965
by C. Andrew Hovan
Some listeners operate under the misconception that pianist Thelonious Monk recorded his best work for producer Orrin Keepnews at Riverside Records, and the rest of his catalog is somehow considered a mere shadow of those previous glories. One listen to “Bright Mississippi” from the newly re-mastered edition of Monk’s Dream (Columbia/Legacy 63536) and you can’t help ...
