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Results for "Coltrane"
Ultralyd: Inertiadrome
by John Kelman
It's been nearly four years since Ultralyd released its 2007 Rune Grammofon debut, Conditions for a Piece of Music, and a lot's happened since that time. The members of this electrified quartet continue to weave their way through the fabric of the cutting-edge Norwegian improvising scene, ranging from the Coltrane-inspired, early Garbarek-tinged modal freedom of The ...
Benjamin Drazen: Inner Flights
by A. Lienhard
Alto saxophonist Benjamin Drazen has been plying his trade around Manhattan's network of small jazz bars--places like 55 Bar, Smalls, and The Garage--for over a decade. At long last, the New York native unveils his debut outing, Inner Flights. In a program of mostly original music, Drazen consistently delivers strong post-Coltrane fire, with a sound that ...
Paquito D'Rivera: Jazz at the Heart
by R.J. DeLuke
There is almost nothing Paquito D'Rivera hasn't accomplished since his arrival on the U.S. jazz scene in the early 1980s, when the young Cuban arrived from Spain--the first spot he hid when he defected from his home nation and its Communist rule that denied personal freedoms and forced musicians playing jazz to call it something else ...
Joe Lovano / Us Five: Bird Songs
by Troy Collins
An inquisitive musician with a reverence for tradition, Grammy-winning saxophonist Joe Lovano has recorded a number of unique tributes to artists who have inspired him, including Enrico Caruso and Frank Sinatra. But none of his previous homages, not even 52nd Street Themes (Blue Note, 2000), his love letter to the bebop era, are as relevant to ...
Doug Wamble: A New Direction
by Matthew Warnock
It's never easy for an established artist to make a change in their musical output mid-career, especially if up until that point they have made a name for themselves in the realm of traditional jazz. While some of these artists make a switch because for monetary reasons or to reach a wider audience, others are drawn ...
George Duke: Facing the Music
by Jeff Winbush
In jazz, there are two seminal figures called “Duke." For Edward Kennedy Ellington, “Duke" was a nickname. For George Duke, it is his surname, but the similarities with Duke Ellington don't end there. As a pianist, arranger, songwriter, bandleader and composer, George Duke has solidified his reputation as one of jazz's most important figures. Also a ...
Jordan Young Group: The Jordan Young Group
by Florence Wetzel
The Jordan Young Group is a terrific CD full of swing, spot-on timing, and beautiful melodies. The substitution of organist Brian Charette and guitarist Yotam Silberstein for the usual quartet line-up of bass and piano gives drummer Young's group a sonorous, spacious sound, and the disc's tasteful song selection nicely displays the musicians' considerable gifts.
Will Vinson: Planted and Growing in New York
by R.J. DeLuke
Like many musicians of his generation, growing up in the rock-and pop-dominated 1980s, saxophonist Will Vinson got his indoctrination to jazz from the sounds emanating from the stereo system in his home, hearing the likes of Dave Brubeck, Duke Ellington and Count Basie from his father's record collection. He took a liking to them. Especially Basie, ...
Christian Weidner: The Inward Song
by Dan Bilawsky
The Inward Song is hardly the quiet, introverted recital of music that might be expected, given the album's title. While alto saxophonist Christian Weidner does throw in a few pieces that fit nicely under this banner, the music on this CD also demonstrates a great deal of range. A case in point is ...
Joe McPhee / Ingebrigt Haker Flaten: Blue Chicago Blues
by Troy Collins
Multi-instrumentalist Joe McPhee has long favored intimate performing situations that highlight the subtle nuances of timbre, volume and dynamics, confirmed by an extensive discography comprising solo, duo and trio recordings. His duet with Norwegian bassist Ingebrigt Haker Flaten (Atomic, Scorch Trio, The Thing) on Blue Chicago Blues is a prime example of the sort of spare ...
