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Philip Larkin: Larkin's Jazz
by Chris May
The author of the immortal opening couplet, “They fuck you up, your mum and dad/They may not mean to, but they do," the poet Philip Larkin (1922-85) was in 2008 voted “the greatest British writer" of the last half century by the readers of The Times. No longer the newspaper of record it was in the ...
Ken Fowser & Behn Gillece: Little Echo
by Dan Bilawsky
Tenor saxophone and vibraphone frontlines--while not as commonplace as two horn teams--have their place in history. Lionel Hampton and Stan Getz had a marvelous meeting in the studio and Milt Jackson recorded with Sonny Rollins, Coleman Hawkins and John Coltrane, on different occasions. Bobby Hutcherson added to this legacy, working with Dexter Gordon and maintaining a ...
Chu Berry, Joe Harriott, and Yusef Lateef
by Sean Dietrich
The role call for sax genius is a lengthy one. But upon briefly thumbing past names like Charlie Parker, John Coltrane and Coleman Hawkins, one finds a glow beneath the surface radiating from lesser known players. Members of the vast sax community, who don't often get the same press other celebrated players receive. ...
Coleman Hawkins: The High and Mighty Hawk
by Samuel Chell
Recorded in England in 1958, this little-known session, originally released on the obscure Felsted label, is an inarguable gem. Perhaps even the word “masterpiece" is not too much of a stretch. It's doubtful that the putative “father of the tenor saxophone," Coleman Hawkins, made a better recording in the age of long-playing records, and it's just ...
The Mark Lomax Trio: The State Of Black America
by Mark Corroto
Drummer/composer/band leader Mark Lomax must not be afraid of ghosts. Because with all the spirits hovering over his recording The State Of Black America, it would be understandable that he and his band of saxophonist Edwin Bayard and bassist Dean Hulett might be a bit intimidated to bridge the firebrand music of the 1960s from today's ...
Fred Anderson: 1929-2010
by Kurt Gottschalk
There aren't many artists with so singular a vision as that of late Fred Anderson, who died June 24 at the age of 81. There are fewer to be certain if the list is restricted to members of that exalted and nebulous class called “masters." It's a word that, in jazz, gets thrown around a little ...
Sun Ra Arkestra: Sunrise In Different Dimensions
by Chris May
Sun Ra ArkestraSunrise In Different DimensionshatOLOGY2010 (1980) Sun Ra's discography is so vast, and its entry points so varied, that the late pianist and bandleader means a lot of different things to a lot of different people. For most, Ra is probably best known for orchestral performances of ...
Paul Meyers: Paul Meyers Quartet featuring Frank Wess
by Jeff Dayton-Johnson
This is a very smooth outing from Paul Meyers, mixing standards--both the rather ripe ("I Cover The Waterfront") and the lesser-known (Billy Strayhorn's “Snibor")--with Meyers originals as showcases for his acoustic nylon string guitar. “Smooth" should not be taken to mean “smooth jazz": there is just the right amount of edge in the musicians' interaction to ...
Fred Anderson: Black Horn Long Gone
by Francis Lo Kee
Fred Anderson is one of today's most powerful and singular saxophonists. Recorded in 1993, this trio (with bassist Malachi Favors and drummer Ajaramu--aka AJ Shelton--who have both since passed away) flies blissfully to new heights for piano-less sax trios. To call Anderson a member of the free jazz movement produces an incomplete picture. His technical facility ...
Stacey Kent: Raconte-Moi
by Bruce Lindsay
While vocalist Stacey Kent has a keen ear for songs, a distinctive and engaging voice and a talent for interpretation, she is also critically acclaimed and commercially successful. Strikingly, like many American jazz musicians from Sidney Bechet onwards, she has gained particular fame and acceptance in France, her albums entering the pop charts and where, in ...
