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Harry Allen and the Physics of the Tenor Saxophone
by Nick Catalano
In Robert Altman's most underappreciated film Kansas City there is a memorable scene for music fans. In the 1930's at the Hey Hey club (one of the town's hotter venues) some of the more notable K.C. folk (politicians, society matrons, wealthy denizens) are having a good time. Everyone in town recognizes these eminent figures but ignores ...
Chris Searle: Red Groove
by Duncan Heining
Red Groove Chris Searle 283 pages ISBN: 978-1907869495 Five Leaves 2013 The life story of poet, teacher, author and activist Chris Searle is as intriguing as that of many of the musicians he discusses in Red Groove. Teaching at an inner city school in ...
David Sills: Blue's the New Green
by Dan McClenaghan
Saxophonist David Sills opens his Blue's the New Green with tenor sax titan Sonny Rollins' tune, “No Moe." But Sills doesn't use Rollins' musculature or his burly tone. He rolls more in the mode of sax men Joe Henderson or Stan Getz--or, to take it back further, Coleman Hawkins or Ben Webster, with a smooth, vibrato-less ...
Ye Olde Criticism of Jazz
by Scott Krane
SURREALISM, n. Psychic automatism in its pure state, by which one proposes to express--verbally, by means of the written word, or in any other manner--the actual functioning of thought. Dictated by the thought, in the absence of any control exercised by reason, exempt from any aesthetic or moral concern. ENCYCLOPEDIA. Philosophy. Surrealism is based ...
Ryan Keberle: Multicolored Tapestry
by R.J. DeLuke
Ryan Keberle is a musician with open ears, who listens to all kinds of music with the attitude that in most cases something can be learned from it. He listens as a fan and as a musician. It can be just to enjoy rock, alternative, pop, R&B or blues. But there might be a kernel of ...
Ben Webster: In Norway
by Chris Mosey
Ben Webster refused to fly. When he visited Norway from Denmark, his adopted homeland, he went by boat and when he got there would blame his somewhat uncertain gait on his “sea legs," rather than the large amounts of alcohol he had consumed in the vessel's bar. Sometimes his “sea legs" were so bad, initial concerts ...
Jonathan Moritz Trio: Secret Tempo
by Mark Corroto
Great chefs can make a delicious meal out of just a handful of ingredients. So can great musicians. A simple omelet prepared from happy free range chicken eggs, plus some freshly plucked basil can set the palate reeling. For a jazz chef like saxophonist Jonathan Moritz, his simple fresh ingredients includes a trim ensemble of bassist ...
Tribute To Henry "Red" Allen This Week On Riverwalk Jazz
This week, Riverwalk Jazz pays tribute to Henry ‘Red’ Allen, one of the last great trumpeters to come out of New Orleans in the 1920s. The program is distributed in the US by Public Radio International, on Sirius/XM satellite radio and can be streamed on-demand from the Riverwalk Jazz website. You can also drop in on ...
Ike Quebec: Easy Living
by Greg Simmons
Ike Quebec is one of those funny figures in Blue Note Records' history. By the late fifties, after he'd been out of recording for a number of years, he was too old to really be at the hard-bop vanguard (he was born in 1918) but not old enough to be a senior statesman like Coleman Hawkins ...
Leslie Lewis: Leslie Lewis & Gerard Hagen in New York
by C. Michael Bailey
Vocalist Leslie Lewis' previous recording, Midnight Sun (Self Produced, 2012), revealed a a thoughtful and well-managed talent able to imbue her music with a dark pathos. Not dark in any negative sense of the word, but rich and romantic. Her followup, Leslie Lewis & Gerard Hagen in New York, made with her husband/pianist, distills Lewis' talent ...
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