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Horace Silver: The Hard Bop Grandpop

by Marc Davis
With musicians, and artists generally, there's a tendency to think the best work is the earliest. It's usually true. Paul McCartney was never better than when he recorded with the Beatles. Chuck Berry's best work was the early hits like Johnny B. Goode" and Roll Over Beethoven." Tom Wolfe hasn't written anything as good ...
Frank Harrison Trio: Lunaris

by Dan McClenaghan
London-based pianist Frank Harrison is probably best known for his work backing saxophonist Gilad Atzmon, but his Lunaris should help to raise his profile as a major league piano trio guy. It's Harrison's third recorded effort in the trio format, and it stands out in a crowded field full of talent. Harrison and the ...
Ivo Perelman: Book of Sound

by Glenn Astarita
The mighty tenor saxophonist Ivo Perelman leads a team of frequent collaborators and superior craftsmen, pianist Matthew Shipp and bassist William Parker. Drawing on past endeavors in various settings, the trio's remarkably intuitive powers are inherent throughout. With movements that are the cogs in the wheel of instantaneous forays in composition, they navigate through broad vistas ...
Howard McGhee: West Coast, '45-'47

In early 1945, Coleman Hawkins asked trumpeter Howard McGhee if he wanted to join him for a month-long gig in Los Angeles at club due to open. The offer came in Buffalo, N.Y., where both musicians were playing and winter had set in hard, McGhee didn't need to be asked twice. Heading West on the road ...
Paul Bley: Play Blue

by Dan McClenaghan
Pianist Paul Bley, born in 1932, began his jazz career in the 1950's, working with every one from saxophonists Charlie Parker, Ben Webster, Coleman Hawkins, Sonny Rollins, and Ornette Coleman, as well as clarinetist Jimmy Giuffre and trumpeter Chet Baker, and more legends of the time than can be listed here. He has, under his own ...
Jazz. New York in the Roaring Twenties

by Nenad Georgievski
Jazz. New York in the Roaring Twenties Robert Nippold, Hans-Jürgen Schaal 144 ISBN: 3836545012 Taschen 2013 The period in the 1920's America is known as the Jazz Age, the Golden Twenties or the Roaring Twenties. The history books say that this decade after the WWI was a prosperous ...
Buddy Tate: The Texas Tenor

by Chris Mosey
When Herschel Evans died in 1939, Buddy Tate took his place in the Count Basie band. Basie used Tate's muscular, blues- based tenor as a foil to the lighter toned playing of Lester Young. Tate played with Basie for the next nine years fulfilling the same role with Young's successors, Don Byas, Illinois Jacquet, Lucky Thompson ...
Sonny Rollins: Road Shows, Vol. 3 (2014)

by Victor L. Schermer
Legendary tenor saxophonist Sonny Rollins has proven himself to be one of the most durable, consistently strong musicians of any era and genre. He started playing tenor saxophone in the 1940s, came into his own as a recognized player in the 1950s, and, except for short interruptions has been working and recording ever since. The reason ...
Celebrating Sun Ra at the Painted Bride Art Center

by Victor L. Schermer
The Warriors of the Wonderful Sound and the Sun Ra Centennial Arkestra The Painted Bride Art Center Still the New Thing" Philadelphia, PA April 19, 2014 This concert concluded a tripartite series curated by saxophonist, band leader, and composer/arranger Bobby Zankel entitled Still the New Thing" honoring three icons of ...
Take Five With Martin Uherek

by AAJ Staff
Meet Martin Uherek: I am a young professional saxophonist from Slovakia. I have a deep admiration for the legendary jazz musicians of the '40s through the '60s. I am a leader of several bands-- notably the Martin Uherek Quartet and Jazz Pianoless Trio. My newest project is Stories of Jazz (Self Produced, 2014), ...