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The Virtues of Jazz
by Douglas Groothuis
Any jazz aficionado knows the musical virtues of jazz, whether they are a musician, a jazz writer, or simply a committed jazz listener. In classical Western thought (that is, in the musings of cats like as Aristotle and Plato), a virtue is a kind of excellence in performance that flows from a settled habit. One who ...
Jazz Cosmos: Music and Modern Physics
by Victor L. Schermer
To the memory of Leonard Bernstein, the greatest musical educator of all time, a great conductor and composer who loved jazz and whose televised lectures brought a whole generation of listeners into insightful contact with the music. Maybe you remember how astrophysicist Carl Sagan's vision of “billions and billions of stars" captured the awesome ...
BenQ treVolo: Wireless Bluetooth Portable Electrostatic Speaker
by Dan Bilawsky
It would be wrong to say that there's a burgeoning Bluetooth speaker market. That ship has sailed, and at this point, the technology is omnipresent. It seems like every company in the sound game has multiple models to offer, catering to nearly every listener demographic. But that doesn't mean there aren't developments to be found in ...
Teddy Edwards: Four Classic Albums
by David Rickert
Teddy Edwards was a formidable tenor player on the '50s and '60s West Coast scene with a warm and congenial tone reflected the laid-back thoughtfulness of the West Coast scene with enough soul to indicate he was listening some Coleman Hawkins in the midst of the Lester Young platters. His own recordings were a typical mix ...
Matt Parker Trio: Present Time
by Karl Ackermann
Following the well-deserved critical praise for his sextet debut, Worlds Put Together (BYNK Records, 2013), saxophonist/composer Matt Parker returns with a core trio and guests on Present Time. Former classmates from NYC's New School, bassist Alan Hampton and drummer Reggie Quinerly, join Parker on seven original compositions. One standard dating back to 1930 (and Louis Armstrong's ...
How Wee Became Allen's Alley
Several years before drummer Denzil Best wrote Move, he came up with a catchy bebop line known as Wee. Where Wee was conceived and how it was named is not known to me. But shortly after it made the rounds among musicians playing at New York's clubs on 52nd St., Leonard Feather held a recording session ...
Roxy Coss: Restless Idealism
by Dan McClenaghan
Upcoming saxophonist Roxy Coss opens her splendid Origin Records debut, Restless Idealism with a traditional approach on her original tune, “Don't Cross the Coss." It's a happy and assertive sound, and when she takes her first solo, her robust tone brings Coleman Hawkins to mind. Coss and her band, churning along on a well-lubricated drive train ...
Benny Golson: Dizzy Gillespie Sextet with Dexter Gordon: Blue 'n' Boogie
by William Ellis
Well--I've been around for a long time, and during the time when I got started there were no such things as albums so there were no covers! This was the time of the 78 recording with three minute at tops for each recording so whatever the person was going to present they had to present it ...
Discovering Wardell Gray: An Interview with Biographer Richard Carter
by Victor L. Schermer
Part 1 | Part 2 | Part 3 [This is one of two interviews and an article intended to bring readers' attention to the under-recognized tenor saxophonist, Wardell Gray, whose brief career spanned the transition from swing to bebop and whose life was cut short by sudden and tragic circumstances.] Richard Carter ...
Why the World Should Remember Wardell Gray
by Victor L. Schermer
Part 1 | Part 2 | Part 3 [This article is a commentary to accompany All About Jazz interviews about Wardell Gray with filmmaker Abraham Ravett and biographer Richard Carter, all of which are intended to bring readers' attention to this outstanding but under-recognized tenor saxophonist whose brief career spanned the transition from swing ...
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