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Coleman Hawkins
by Henk de Boer
Although Adolphe Sax actually invented the saxophone, in the jazz world the title “Father of the Tenor Saxophone" became justly associated with Coleman Hawkins (1904-1969), not only an inventive jazz giant but also the founder of a whole dynasty of saxophone players. Before Hawkins, the saxophone (itself “born" in 1846) was mainly a favorite in marching ...
Top Ten Jazz Songs of My Childhood
by Richard J Salvucci
For some reason, listening to the Great American Songbook was a big part of my Italian immigrant-boomer generation's experience. We learned the values, the rules, the moves and the customs of the folks we wanted to be like. And added a couple of distinctive touches of our own. We liked big bands too. But it wasn't ...
Thelonious Monk
by Chris M. Slawecki
Thelonious Sphere Monk is one of the true great jazz originals. Monk's family moved from North Carolina to New York City while he was still an infant. He began piano lessons around age 12, playing Harlem rent parties then graduating to Harlem clubs such as Minton's Playhouse. Monk often played with Dizzy Gillespie and ...
Bill Evans and Carol Stevens
Back in January 2014, I interviewed singer Carol Stevens (here and here), who recorded That Satin Doll for Atlantic in 1957. In 1959, she appeared in a TV pilot for a show called After Hours, featuring Coleman Hawkins and Roy Eldridge among other top New York jazz musicians. At one point during my interview, I asked ...
John Law: Goldberg
by Jakob Baekgaard
J.S. Bach's The Goldberg Variations is one of the most famous works in the literature of the piano and an endless source of inspiration for pianist around the world -and not only classical pianists. Bach's music simply transcends genres and his ability to develop and sculpt variations on a theme remain unsurpassed. It is no coincidence ...
7Dreams: The Story of a Country, a Friendship and a Sound
by Jakob Baekgaard
One of the things that is great about the digital age is how easy it is to get access to music from different parts of the world. Pluralism is the keyword. Jazz is not just one thing and each country has its specific take on the jazz tradition. However, sometimes jazz musicians of a ...
Working the Rhythm Section: Tom Lawton, Lee Smith, and Dan Monaghan
by Victor L. Schermer
As Duke Ellington's standard goes, “It Don't Mean a Thing if it Ain't Got that Swing." The rhythm section (piano, bass, drums, with guitar and percussion sometimes added) is the core of the typical jazz ensemble. They set the frame for the leader, singer, and soloists and contribute their own solos as well. Even though they ...
Fats Navarro and Tadd Dameron – The Complete Blue Note and Capitol Recordings
by Marc Davis
There aren't many jazz records I'd consider essential. This is one. Granted, Fats Navarro isn't in the pantheon of jazz trumpeters. For starters, he didn't live long enough. He died in 1950 at age 26, so his discography is short. For another, Navarro's brief career overlapped that of trumpet legend Dizzy Gillespie, and came ...
Robert Herridge: Jazz on TV
Up until 1955, modern jazz was largely a punchline. The music wasn't easy to understand by those who grew up listening to big bands and other forms of pop and dance music, and many post-war jazz musicians seemed silly in their cool extreme—people with names like Dizzy, Monk, Chubby, Hawk, Shorty and Bird who recorded for ...
2014: The Year in Jazz
by Ken Franckling
The year 2014 turned out to be a year noteworthy for its numbers. Newport turned 60, Blue Note turned 75, International Jazz Day's third edition featured 900 events in more than 190 countries. The jazz world lost seven of its NEA Jazz Masters, and New Orleans trumpeter Lionel Ferbos died at 103. Sad but not unexpected, ...
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