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Discovering Wardell Gray: An Interview with Biographer Richard Carter
by Victor L. Schermer
Part 1 | Part 2 | Part 3 [This is one of two interviews and an article intended to bring readers' attention to the under-recognized tenor saxophonist, Wardell Gray, whose brief career spanned the transition from swing to bebop and whose life was cut short by sudden and tragic circumstances.] Richard Carter ...
Why the World Should Remember Wardell Gray
by Victor L. Schermer
Part 1 | Part 2 | Part 3 [This article is a commentary to accompany All About Jazz interviews about Wardell Gray with filmmaker Abraham Ravett and biographer Richard Carter, all of which are intended to bring readers' attention to this outstanding but under-recognized tenor saxophonist whose brief career spanned the transition from swing ...
Piccola guida al nuovo jazz italiano
by Luca Canini
Non è vero che il jazz italiano sta bene. Non è vero che siamo il paese dei festival e che abbiamo musicisti che tutto il mondo ci invidia. Possiamo raccontarcela tra di noi, se vi va. Facendo finta che questo sia il migliore dei mondi possibili e che il sole dell'avvenire splenda alto sopra l'orizzonte, ma ...
Jazz Musician of the Day: Coleman Hawkins
All About Jazz is celebrating Coleman Hawkins' birthday today! Coleman Hawkins single-handedly brought the saxophone to the prominence in jazz that the instrument enjoys. Before he hit the scene, jazz groups had little use for the instrument. One player (forgot who) said, “with all due respect to Adolph Sax, Coleman Hawkins invented the saxophone." Hawkins, or ...
Timme Rosenkrantz: Timme's Treasures
by Chris Mosey
Danish nobleman Niels Otte Timme Baron Rosenkrantz could trace his ancestry way back to the Anglicized Rosencrantz in Shakespeare's Hamlet. He became a journalist and was the first European to report on the jazz scene in Harlem, writing for Scandinavian publications and for Downbeat, Metronome and Esquire in the United States and Melody ...
Tenor Saxophone
by Bob Bernotas
Invented in the early 1840s, the saxophone was a relative latecomer to music--and to jazz. But starting in the mid-1920s, with the rise of the big bands, the instrument slowly but steadily evolved from a vaudeville novelty into a staple in the mainstream of jazz. Of the different varieties of saxophone, the tenor and the alto ...
Strange Solo Sounds: SK Kakraba and Jonah Parzen-Johnson
by Jakob Baekgaard
Sounds are all around us. Some of them are so familiar that we barely recognize them. Music is a special kind of sound. It puts us in touch with the world or provides an escape from it. Sometimes, music is even able to conjure a world of sound that is hard to imagine. It can be ...
Sonny Rollins, Volume One – 1956
by Marc Davis
It's easy to like Sonny Rollins. The guy is bluesy, edgy and clever. And it almost doesn't matter which period of Rollins' career you choose. It's all pretty terrific. But there's an unexpected down side: Because Rollins has so many fantastic recordings, listening to ones that are merely good can be a little disappointing. ...
The Chuck Israels Jazz Orchestra: Joyful Noise
by Edward Blanco
Veteran bassist, arranger/composer Chuck Israels has had the good fortune of performing and recording with some of the best jazz musicians on the planet including legends and icons from Billie Holiday, Benny Goodman, Coleman Hawkins to John Coltrane and Stan Getz among many others, though he is best associated with the Bill Evans Trio from 1961 ...
Paris Jazz Diary 2015: Saxophonists Lew Tabackin, James Carter, Craig Handy
by Patricia Myers
Lew Tabackin, James Carter, Craig Handy Sunside-Sunset/Duc des Lombards Paris, France July 8, July 11, July 12, 2015 Getting great sax in Paris was a sure thing this summer with three American tenor titans Lew Tabackin, James Carter and Craig Handy performing within three soul-satisfying weeks. In the fewest words: Tabackin ...
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