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My Conversation with Gary Peacock
by AAJ Staff
Having been in the political arena, I know first hand the power of celebrity's undertow. It has a way of casually siphoning the integrity of a candidate. Fame and power in politics, I find, is quite similar in our music, and that it is no fluke that artists “sell-out." But Gary Peacock has not. The bassist ...
The Rebel Festival
by Karl Ackermann
On the morning of July 4, 1960, there were more than a few signs of the mayhem that had taken place the night before in Newport, Rhode Island. Newport's Millionaires Row woke up to broken store windows, overturned vehicles, and storm drains clogged with garbage and beer bottles. One-hundred-eighty-two people, mostly young, New England college students ...
Rudy Royston: Little Steps, Big Pictures
by Ian Patterson
Everybody needs a helping hand now and then. Rudy Royston understands that. The Covid-19 pandemic has caused gigs to completely dry up for all musicians, and with that, their main income stream. Yet there are still mortgages, rents and bills to pay, and children to feed. It says something about the precarious finances of a jazz ...
Lift Every Voice And Sing: Twenty #BlackLives Albums That Matter
by Chris May
Jazz has been inextricably linked with social and political protest since at least the late 1930s, when Billie Holiday made famous the leftist songwriter and poet Abel Meeropol's “Strange Fruit." The song, which has a power to move that is undiminished by familiarity, likens the bodies of lynched African Americans to fruit hanging in trees.
Denny Zeitlin: Live at Mezzrow
by Dan Bilawsky
Coming up on two decades of creative engagement and evolution, pianist Denny Zeitlin's group with bassist Buster Williams and drummer Matt Wilson remains one of the most bracing, sophisticated and creatively satisfying trios on the scene. In the best of times, a set like this, recorded live at Spike Wilner's New York piano room Mezzrow, can ...
My Early Years with Bill Evans, Part 2
by Chuck Israels
Bassist and composer Chuck Israels was raised in a musical family. He studied the cello and played guitar in junior high school. Later musical training took place at Indian Hill, a summer workshop in the arts directed by his parents, and at the High School of Performing Arts in New York City. A year at Massachusetts ...
Space Is The Place: The Lives And Times Of Sun Ra
by Ian Patterson
Space Is The Place: The Lives And Times Of Sun Ra John F. Szwed 512 Pages ISBN: 978-1-4780-0841-5 Duke University Press 2020 Of all the 20th century jazz figures, perhaps only John Coltrane and Miles Davis have achieved greater cult status than Sun Ra. Unlike Coltrane, Ra lived into ...
Jeff Rupert/George Garzone: The Ripple
by Jim Worsley
The Ripple refers to the infectious, warm, intimate, yet big sound developed by the great Lester Young, starting in the late 1930s. While Young pioneered improvisational creativity, Stan Getz later took the baton (well, it was actually a saxophone) and further expanded his idol's stylish approach with new and creatively open-ended visions. Young and Getz collectively ...
George Garzone: Sax In The City
by Jim Worsley
George Garzone is not the mayor of the city of Boston. If he was appointed to a position it would more likely be king. He is, at the very least, the toast of the town. This isn't news. King George has reigned with a firm grasp of his mighty tenor saxophone for close to half a ...
The Soul Jazz Guitar of Montgomery, Burrell and Green (1960 - 1965)
by Russell Perry
Hard bop created a comfortable setting for a suite of great blues-influenced guitar players who led the way toward soul jazz. Several of these players were from the mid-west -Wes Montgomery from Indianapolis, Grant Green from St. Louis and Detroit's Kenny Burrell. The next three hours of Jazz at 100 will present music from the 1960s ...
