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150

Article: Album Review

Dan Adler: Back To The Bridge

Read "Back To The Bridge" reviewed by Bruce Lindsay


Back To The Bridge is produced by three talented musicians whose ability to interact, solo, provide rhythmic support and, above all, to groove makes this album a terrific advertisement for the classic organ trio and for the enjoyable straight-ahead jazz it produces. While this is guitarist Dan Adler's second album as leader--following 2009's self-produced All Things ...

179

Article: Take Five With...

Take Five with Matthew Shipp

Read "Take Five with Matthew Shipp" reviewed by AAJ Staff


DOB: December 7, 1960 In: Wilmington, Delaware First Musical Memory: “My uncle (James) playing a Beethoven piece on piano." Music Inspirations: “Metaphysics and understanding the vibration language behind cosmos." Hobbies/Interests: “Metaphysics, boxing, pro wrestling." Last Book Read: “Lampshade by Mark Jacobson." Favorite TV Show: ...

357

Article: Album Review

Jay Phelps: Jay Walkin'

Read "Jay Walkin'" reviewed by Bruce Lindsay


Canadian-born trumpeter Jay Phelps moved to the UK at the age of 17. Since his arrival Phelps has gathered much valuable experience with acts such as Dennis Rollins (who guests on Jay Walkin''s “10 Years"), Tomorrow's Warriors and the award-winning Empirical, before embarking on this debut recording as leader at the age of 28. It's paid ...

649

Article: Interview

Jay Phelps: Swing Is The New Avant-Garde

Read "Jay Phelps: Swing Is The New Avant-Garde" reviewed by Bruce Lindsay


At the age of 28, trumpeter Jay Phelps already has a broad range of musical experiences under his belt, including co-founding the award-winning jazz group Empirical. Releasing his debut album as a leader, Jay Walkin' (Specific Records, 2010), seems like a natural next step. But Phelps is clearly not a man to be rushed. The album ...

167

Article: Album Review

Kurt Jarnberg: Down Memory Lane 2

Read "Down Memory Lane 2" reviewed by Jack Bowers


This two-CD (mostly) studio set features Swedish trombonist/trumpeter Kurt Jarnberg's quintet dates from 1966-68, the years in which the group was active. After successful appearances at the Talinn and Pori Jazz Festivals, the quintet was forced to dissolve, Jarnberg writes, owing to “lack of jobs." That's a shame, as these recordings showcase a talented and hard-swinging ...

210

News: Birthday

Jazz Musician of the Day: Clifford Brown

Jazz Musician of the Day: Clifford Brown

All About Jazz is celebrating Clifford Brown's birthday today! Clifford BrownClifford Brown - trumpet, composer, recording artist, bandleader (1930-1956) He was the most brilliant trumpet player of his generation, an original and memorable composer... more Website | Photos | Articles Follow Clifford Brown Put AAJ's Musician of ...

10

Video

Lady Be Good/Memories Of You

Featuring the music of Clifford Brown
Duration: 4:25

265

Article: Album Review

Dan Adler: Back To The Bridge

Read "Back To The Bridge" reviewed by Dan Bilawsky


Guitarist Dan Adler's debut , All Things Familiar (Emdan Music, 2009), demonstrated his formidable skills, and brought together a noteworthy roster of artists, such as saxophonist Grant Stewart, to fill out a quintet lineup. For his followup, the Israeli-born, New York-based six stringer pares things down and goes with an organ trio format, enlisting the most ...

362

Article: Album Review

Mary Halvorson: Saturn Sings

Read "Saturn Sings" reviewed by Chris May


The arrival of a new star in the jazz guitar cosmos, and the chance it offers to wrest a little more of the instrument back from the smooth and fusion apes, is always something to celebrate. The emergence of Brooklyn-based Mary Halvorson, who debuted as a bandleader in 2008 with Dragon's Head (Firehouse 12 Records), has ...

397

Article: Multiple Reviews

Tatsuya Nakatani: Essences and Abiogenesis

Read "Tatsuya Nakatani: Essences and Abiogenesis" reviewed by Clifford Allen


What is improvised music without visuality? While the music of improvising composers can be felt and picked apart aurally, the physical act of making music in an un- preconceived setting is something rather extraordinary and easily lost through the audible distance of a recording. It's not just the dynamic, theatrical high jinks of a player like ...


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