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Album

Rosellla: A Good Place To Start

Label: CIMP Records
Released: 2001
Track listing: Someone to Watch Over Me/ If You Never Come to Me*/ Deep River/ With Open Eyes/ When I Fall In Love/ Lush Life/ Ellingtonia II/ Foot Prints/ Autumn Leaves/ You

Album

Large Music 2

Label: CIMP Records
Released: 2001
Track listing: Gwendolyn the Cat/ Hold On, Hold On/ Arcing/ Barefoot and Bassist/ Monk Key Business.

98

Article: Album Review

K. Norton - B. Celusak - A. Eulau: Iron Monkey Trio

Read "Iron Monkey Trio" reviewed by Glenn Astarita


Drummer/percussionist/composer Kevin Norton represents one of jazz's modern day pioneers. Whether performing and recording with saxophonist/composer and new music icon Anthony Braxton or engaging free jazz with serious compositional intentions, the artist has also assisted with the development of students seeking broader horizons. However, this trio-based endeavor suggests a mini collective of sorts, where everyone gets ...

136

Article: Album Review

Lou Grassi's PoBand + Joseph Jarman: The Joy of Being

Read "The Joy of Being" reviewed by Glenn Astarita


Venerable modern jazz drummer/group leader, Lou Grassi’s improvising “PoBand” aggregation, join forces with famed “Art Ensemble of Chicago” saxophonist, Joseph Jarman on this effervescent release titled, Joy of Being. The drummer’s compelling polyrhythmic attack provides the often steamy undercurrents for a production that is chock full of round robin type exchanges, and the soloists’ verbose proclamations. ...

114

Article: Album Review

Avram Fefer: Lucille's Gemini Dream

Read "Lucille's Gemini Dream" reviewed by David Adler


Saxophonist Avram Fefer follows up the remarkable Calling All Spirits (Cadence) with the compelling, though quite different Lucille’s Gemini Dream. Opting for a quartet this time rather than a trio, Fefer keeps drummer Igal Foni on board and adds a second horn, trombonist Steve Swell. Wilber Morris replaces Eric Revis on bass. Like all CIMP recordings, ...

220

Article: Album Review

Norton / Celusak / Eulau: The Iron Monkey Trio

Read "The Iron Monkey Trio" reviewed by Derek Taylor


Sometimes the breadth and depth of existing talent in creative improvised music is lost in the political and economic rhetoric that surrounds the art form. While it’s repeatedly reported to be a niche music plagued by public and commercial ambivalence there are literally legions of players who practice and purvey it. Why are so many musicians ...

180

Article: Album Review

Avram Fefer Quartet: Lucille

Read "Lucille" reviewed by Derek Taylor


Avram Fefer’s debut release, Calling All Spirits, on Cadence Jazz Records is that rare pedigree of disc- one that threw me for a loop upon first listen. Everything (from the playing and arranging to engineering) caught my ears and refused to relinquish them until the disc had run its course. Upon numerous subsequent listens the effect ...

191

Article: Album Review

Bobby Zankel Trio: Transcend & Triumph

Read "Transcend & Triumph" reviewed by Derek Taylor


Judging by his predilection for philosophical and spiritual sounding song titles Philadelphia-based Bobby Zankel is man who puts deep thought into his music and outlook on life. His accompanying ‘Artist’s Notes’ for this release further corroborate the picture of the intellectual who is at once brooding and exuberant. For these reasons the nature of the actual ...

120

Article: Album Review

B.Lancaster/ O.Pope/ E.Crockett/ J.R. Mitchell: Philadelphia Spirit in New York

Read "Philadelphia Spirit in New York" reviewed by Derek Taylor


Philadelphia certainly seems to receive only grudging affirmation in relation to other urban centers in the larger cosmology of creative improvised music. It’s a crime considering the fact that a solid scene has been thriving there for years. New York and Chicago may have the corner market, but bands like this jointly fronted quartet are surely ...

160

Article: Album Review

Smoker - Magnuson - Filiano - Grassi: Large Music 2

Read "Large Music 2" reviewed by Glenn Astarita


With the successor to the quartet’s 2000 release, Large Music 1, the musicians’ continue their pursuance of free-bop/swing amid sequences of investigative dialogue and a plethora of lofty peaks, bottomless pits and soul searching lines. However, the band also generates briskly stated melodies on the opener, “Gwendolyn the Cat”, as trumpeter Paul Smoker and saxophonist Bob ...


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