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Mike Jurkovic's Best Jazz Albums Of 2024
by Mike Jurkovic
It has been, to say the least, one hell of fright night year. But here is the music that stayed with me, through thick and thin, and all manner of human foible and political upheaval. Vijay IyerCompassion ECM Records Kris Davis
McCoy Tyner / Joe Henderson: Forces Of Nature: Live At Slugs'
by Joshua Weiner
How does one go about nominating Zev Feldman for a Nobel Peace Prize? Time and again, the intrepid “Jazz Detective" tracks down unknown, unheard, un-even-hoped-for sonic artifacts, painstakingly brushes away the audio dust and grime, and puts us front and center at events that rewrite the history of jazz. Forces of Nature: Live at Slugs' another ...
Lisa Hilton: Lucky All Along
by Mike Jurkovic
Throughout the course of her quietly triumphant, just south-of-the-spotlight, virtuoso career, pianist/composer Lisa Hilton has never actively pursued, Captain Ahab-like, the biggest fish in the sea. She has played alongside many of the biggies--Christian McBride, Antonio Sanchez, Nasheet Waits, Sean Jones, JD Allen--but finds the greatest comfort, harmony, and camaraderie among her long-standing rhythm mates: bassist Luques Curtis, drummer ...
The Duke Ellington Carnegie Hall Concerts: January 1943
by Chuck Lenatti
Duke Ellington was one of the most popular and successful jazz musicians of the first half of the 20th century and according to composer Gunther Schuller and musicologist and historian Barry Kernfeld, “the most significant composer of the genre." Radio broadcasts from his residency at New York's Cotton Club beginning in 1927 extended Ellington's ...
Roy Haynes: Still Lighting It Up
by Chris M. Slawecki
This article was first published on All About Jazz in June 1997. Drummer Roy Haynes isn't just cool--he's cooooolllll. In conversation, Roy Haynes is languid and relaxed yet full of fire, yet playful, mysterious and serious. Similarly, his music--and he's played alongside the best--is simultaneously passionate and precise, free-swinging and loose, but ...
McCoy Tyner / Joe Henderson: Forces Of Nature: Live At Slugs'
by Mike Jurkovic
When recordings like Forces of Nature: Live at Slugs' seemingly falls from yonder jazz sky, we must stop to thank those swinging stars above for our grand fortune. Because despite all our flaws--a broken politic, a poisoned planet, constant wartime bickering--we are a fortunate, if mostly undeserving, race of peculiarities. That becomes especially apparent when random, ...
Christian McBride: Jazz Notes from the Engine Room
by Lawrence Peryer
Today, the Spotlight shines On Christian McBride, a musician, recording artist, prolific composer, arranger, producer, cultural curator, dedicated educator, and mentor.Christian has been called the hardest-working person in jazz and the above list might be underselling it. From his early days in Philadelphia soaking up the sounds of Philly Soul to sharing stages with ...
Jazz on Soul, Pop, Rock, Folk, and other intangible territories - Part 2
by Artur Moral
Part 1 | Part 2 James Carter soloing on a song by Sting? A prolific French guitarist and producer, approaching his thousandth album, deconstructing one of Billy Joel's most candid love songs? A Spanish trumpeter translating the Bee Gees into the jazz language? Yes, all this will happen in this second installment of a ...
Aaron Goldberg: It's Impossible To Separate Jazz From The Civil Rights Movement
by Leo Sidran
After the election of George W. Bush in 2000, Aaron Goldberg began wondering what he could do in the next election to help make a difference. At the time, he was a 26 year old pianist only a few years out of college, but who was quickly establishing himself as a credible musical voice in the ...
Top Ten Sci-Fi Jazz Albums
by Chris May
On The Launch Pad Robert Frosch, head honcho at the National Aeronautics and Space Administration from 1977 to 1981, wrote that at cocktail parties he was sometimes asked whether NASA had some gizmo or other that had recently been brought to fictional life in a sci-fi book or movie. If Frosch's answer was “No," the next ...
