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Article: Album Review

Gene Ess: Apotheosis

Read "Apotheosis" reviewed by Chris Mosey


The inspiration for Apotheosis, Japanese-American guitarist Gene Ess's fourth album, is taken from mythologist James Campbell's book “The Hero with a Thousand Faces," first published in 1949. In this Campbell describes apotheosis as “the expansion of consciousness a hero experiences when defeating his foe." His theories concerning fictional heroes have been used as ...

1

Article: Album Review

Christian Li & Mike Bono: Visitors

Read "Visitors" reviewed by Chris Mosey


The New York-based duo of guitarist Mike Bono and pianist Christian Li celebrate a decade of collaboration with Visitors, which they see as “a souvenir of the past and a blueprint for the future." It's a varied album of nine originals, with engineer Pran Bandi trying as much as possible to recreate a live atmosphere in ...

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Article: Album Review

Mathias Algotsson: Home At Work Again

Read "Home At Work Again" reviewed by Chris Mosey


Mathias Algotsson's music resembles the provincial Swedish society that he calls home: well thought-out and carefully executed with few surprises. He sees music as his work and, because he produces it at home, called his first album Home At Work. It is no surprise that the follow-up should be titled Home At Work Again.

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Article: Album Review

Brent Birckhead: Birckhead

Read "Birckhead" reviewed by Chris Mosey


Having positioned himself at the outer limits of expression, wailing and bleeping on his alto saxophone as he hurls his long, dreadlocked hair around like a dervish, Brent Birckhead obviously feels he can now occasionally relax, cease heeding the call of his neuroses and play what is sometimes quite beautiful music. This realization has been a ...

1

Article: Album Review

Ellen Rowe: Momentum: Portraits of Women in Motion

Read "Momentum: Portraits of Women in Motion" reviewed by Chris Mosey


An all-women jazz band playing songs about women--this is a CD whose time has surely come. Pianist Ellen Rowe has duly put together a collection of original songs lauding her gender. She says: “Each piece on this album is a tribute to women heroes of mine in disciplines ranging from music to social ...

5

Article: Album Review

Jake Leckie: The Abode

Read "The Abode" reviewed by Chris Mosey


Bassist Jake Leckie, born in Boston but currently living in Los Angeles, describes the eight songs on this, his first album, as “a meditation on migration, understanding and empathy." He says they pay tribute to the people and places that have contributed to his identity and are intended to evoke a sense of place and home--his ...

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Article: Album Review

Ben Webster: Ben Webster's First Concert in Denmark

Read "Ben Webster's First Concert in Denmark" reviewed by Chris Mosey


This is a small piece of jazz history. In January 1965, Ben Webster, newly arrived in Europe from America, was working out where to settle down. This concert shows why he decided on Copenhagen. The album starts with Webster making a point about the playing of his former boss Duke Ellington's “In A ...

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Article: Album Review

Julian Lage: Love Hurts

Read "Love Hurts" reviewed by Chris Mosey


Julian Lage is a tremendously talented acoustic guitarist and by all accounts a polite, mild mannered kind of guy. Though this might not be the whole story. The cover picture of his album is of twenty used matches, which is thought to refer to his worries of becoming burnt-out after being hailed as a child prodigy ...

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Article: Album Review

Joey DeFrancesco: In The Key Of The Universe

Read "In The Key Of The Universe" reviewed by Chris Mosey


This is an important, even historic album. It marks--unannounced--the return of a great figure of the free jazz era, Pharoah Sanders. Saxophonist Albert Ayler once famously declared, “Trane was the Father, Pharoah was the Son, I am the Holy Ghost." Hammond organist Joey DeFrancesco has orchestrated Sanders' return from oblivion. Without it, the ...

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Article: Album Review

Alfredo Rodriguez: Duologue

Read "Duologue" reviewed by Chris Mosey


Alfredo Rodriguez is the classically trained son of Cuban singer/composer “Alfredito" Rodriguez. In 2009, he accompanied his father on a concert tour of Mexico, decided not to return to his homeland, and asked for political asylum in the U.S. Once there, he began a music career aided by veteran producer Quincy Jones. In 2015, he won ...


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