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Musician

Charnett Moffett

Born:

Charnett Moffett grew up in a musically active household. His father, the renowned jazz drummer Charles Moffett Sr., was a member of Ornette Coleman’s trio of the mid 1960s as well as leader of the Moffett Family Band. (Charnett’s name is a contraction of both Charles and Ornette). As a child prodigy, Charn'ett first appeared on record at the age of seven in 1974 with the Moffett Family Band and the following year toured Japan with the group. After attending Fiorello H. La Guardia H. S. for the Music and Arts in New York City, he studied at Mannes College of Music and obtained a scholarship to study at the Juilliard School of Music. Moffett joined Wynton Marsalis’ quintet in 1983 at the age of 16 and later appeared on the influential, Grammy Award-winning 1985 recording Black Codes From the Underground. During the ‘80s he also worked with guitarist Stanley Jordan, the Manhattan Jazz Quintet and drummer Tony Williams.

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Article: Liner Notes

Charnett Moffett: The Bridge

Read "Charnett Moffett: The Bridge" reviewed by Howard Mandel


Solo bass records are rare, and might seem to appeal mostly to bassists and bass aficionados. But on The Bridge Charnett Moffett, the charismatic bass virtuoso with an impressive past and equally brilliant future, has proven here — without benefit of a band--that his music can touch anyone who loves music, regardless of instrumentation or genre. ...

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Article: Radio & Podcasts

Trios, Duos and Solos

Read "Trios, Duos and Solos" reviewed by Jerome Wilson


This show focuses mainly on the smallest units of jazz interaction, trios and duos, with a couple of solo performances thrown in along the way. Artists heard on the program include Matthew Shipp, the collective trio Air, Rudresh Mahanthappa, Adam Larson and Bill Frisell. There is also a special mention of bassist Charnett Moffett, who passed ...

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Article: Radio & Podcasts

Maria Schneider, Charnett Moffett and Carl Fischer

Read "Maria Schneider, Charnett Moffett and Carl Fischer" reviewed by Joe Dimino


We proudly open the 749th Episode of Neon Jazz with veteran trumpeter Carl Fischer and his group TËTI with their take on the classic “What a Wonderful World." From there, we listen to Carl's boss (Billy Joel) doing the “Root Beer Rag" at the New Orleans Jazz Fest. New music is featured from guitarist Daniel DeLorenzo, ...

Album

New Love

Label: Motéma Music
Released: 2021
Track listing: Swinging in the Realms; We Remember; Little Flowers; Today; Higher Dimensions; I Didn't Know; Flying in the Air; ETQ; New Love; Spirit & Bride Song; Love for the People; Rejoice.

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Article: Year in Review

Jerome Wilson's Best Recordings of 2021

Read "Jerome Wilson's Best Recordings of 2021" reviewed by Jerome Wilson


Despite all the continuing crises in the world, great creative music flourished in 2021 as it always seems to do. There were some artists like Wadada Leo Smith and Vijay Iyer who continued their regular flow of excellent releases, other veterans like Charnett Moffett and Pharoah Sanders who came out with powerful statements and new voices ...

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Article: Radio & Podcasts

Ensemble Novo, Mark Masters & Kurt Rosenwinkel

Read "Ensemble Novo, Mark Masters & Kurt Rosenwinkel" reviewed by Joe Dimino


The 722nd Episode of Neon Jazz happens to be a celebration of the birthday I share with the legendary vibes cat Terry Gibbs on October, 13, 2021. I threw together a collection of recent interviews with veteran musicians who have new CDs in 2021. We begin with a re-issue from Kurt Rosenwinkel and make our way ...

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Article: Album Review

Charnett Moffett: New Love

Read "New Love" reviewed by Jerome Wilson


If one thing is obvious from this CD, it is that electric bassist Charnett Moffett is a happy man these days. His playing leaps out of the speakers on these tracks with joy and high spirits. That may be because he works here in the company of his “new love," his wife, guitarist Jana Herzen. The ...

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Article: Radio & Podcasts

Past Grapplin'

Read "Past Grapplin'" reviewed by Patrick Burnette


Since the seventies, it's arguable that most jazz musicians work in “old" idioms (even if they mix and match them in new ways), but this episode's artists each take on aspects of jazz's past that seem, well, more past than most. Sometimes the commitment to the older idiom is complete, sometimes it comes and goes, but ...

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Article: Building a Jazz Library

Guitar Gods & Goddesses: An Alternative Top Ten Albums

Read "Guitar Gods & Goddesses: An Alternative Top Ten Albums" reviewed by Chris May


Although it has been present in jazz since the 1920s, when it was routinely used in rhythm sections, as a solo instrument the guitar struggled to make itself heard--literally--until the second half of the 1930s, when reliable pick-ups and portable amplifiers became available. Foremost among the pioneers of the electrified instrument was Charlie Christian, a member ...


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