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Article: Interview

Jaleel Shaw: Philly Soul

by George Colligan
December 17, 2013

[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth ] Jaleel Shaw has been one of my favorite young alto players for about a decade. We first played together with the Charles Mingus Band, and we kept in touch over the years. I've worked a few times in his ...

Article: Opinion

What's Wrong With Today's Live Jazz

by Richard Lawn
December 17, 2013

What's wrong with today's live jazz scene? There has been a great deal of whining about the climate for live jazz these days. The complaints are sometimes accompanied by speculation about why jazz seems to have slipped off the radar, particularly in many major cities such as Philadelphia. The complaints, however, are often unaccompanied ...

Article: Album Review

T.K. Blue: A Warm Embrace

Read "A Warm Embrace" reviewed by Dan Bilawsky

by Dan Bilawsky
December 16, 2013

What do you do after you've already toured the world with jazz legends, helmed a successful college jazz program and recorded everything from bluesy fare to world-meets-jazz music to Latin-ized takes on Charlie Parker? If you're saxophonist T.K. Blue, you turn to the soft(er) and the subtle, delivering an album that's texturally rich yet wholly transparent. ...

Article: Profile

Being Grateful: Defining the Jazz Years Part One - 1973

by Jacob Hobson
December 9, 2013

Jazz, like the Grateful Dead, has never been particularly easy to define. It seems jazz, in its most simply defined meaning, is improvised music. The Grateful Dead have been called a thousand different things since its official formation in 1965, but has rarely been called a jazz band. There have always been and will always be ...

Article: Live Review

Live From Old York: Tom Lewis, Bryan Ferry, Blockheads, Brass Monkey & 4square

by Martin Longley
December 1, 2013

Tom Lewis The Black Swan November 7, 2013 It was easy to identify Tom Lewis whilst he was sitting amongst the audience at the Black Swan Folk Club, checking out the floor singers at the evening's beginning. This was a man sporting an anchor earring and an anchor ...

Article: Record Label Profile

ArtistShare: A Record Label for the Digital Age

by Paul Naser
November 27, 2013

In the information age, as technology is transforming the way we share ideas, the creative artist seems to be in a dangerous situation. Peer-to-peer file sharing and free-streaming content are direct threats to an artists' livelihood. Combining this insight with a love for music and an appreciation for artists and the value of their work, Brian ...

Article: Profile

Edmar Castaneda: A World Of Music

by Ian Patterson
November 26, 2013

The harp may be the least common instrument in jazz/improvised music--even the humble kazoo gets more of a run out. Dating back over 5,000 years to ancient Mesopotamia, the harp in its various guises is common to nearly all cultures across the continents. Throughout Asia, Africa and Latin America the harp is an important element of ...

Article: Live Review

2013 Enjoy Jazz Festival

by John Kelman
November 24, 2013

Enjoy Jazz 2013 Heidelberg/Mannheim/Ludwigshafen, Germany November 6-14, 2013 It's always a treat to return to Heidelberg for Enjoy Jazz. As a very intended contrast to most jazz festivals, that compress a lot of music into a very short time, Enjoy Jazz's founding premise, when it was first conceived 15 years ago by ...

Article: Book Review

The Jazz Musician's Tarot Deck

by Florence Wetzel
November 23, 2013

The Jazz Musician's Tarot Deck Matt Lavelle 55 pages ISBN: 14186207 Lulu 2013 Multi-instrumentalist Matt Lavelle is an artist who loves a challenge. Not content to play one instrument, he plays several: trumpet, cornet, flugelhorn, and alto clarinet. Looking to expand his creativity, he started blogging a few years ...

Article: Album Review

Phil Woods & the Festival Orchestra: New Celebration

Read "New Celebration" reviewed by Jack Bowers

by Jack Bowers
November 21, 2013

Any album with the renowned Phil Woods leading a big band (or jazz orchestra) is cause for celebration, especially so when he has written all but one of the charts and takes the bulk of the alto solos. More than fifteen years have passed since Woods last recorded with the COTA Festival Orchestra from his home ...