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Article: Lyrics

I 10 CD nel CD-Player di... Marta Sanchez

Read "I 10 CD nel CD-Player di... Marta Sanchez" reviewed by Vincenzo Roggero

by Vincenzo Roggero

01. Jaki Byard --The Last from Lennie's (Prestige--2003). Ho ascoltato spesso Jaki Byard durante l'ultimo anno. Ora sto indirizzando la mia attenzione su questo disco con Joe Farrell. La versione di “After You've Gone," suonata in trio è sorprendente. Subito dopo l'esposizione della melodia piano, basso e batteria eseguono dei soli. Lo stride di Jaki ...

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Article: Album Review

Carlos Vega: Bird's Ticket

Read "Bird's Ticket" reviewed by Dan McClenaghan

by Dan McClenaghan

Saxophonist Carlos Vega's band crackles. The sound of “A Confluence in Chi-Town," the opener on his Bird's Ticket recording, has an on-the-edge urgency in its distinctive approach to the standard jazz quintet format--bass/drums/keyboard rhythm section and a trumpet and a saxophone--a line up like Charlie Parker and Dizzy Gillespie used. Vega, a veteran of ...

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Article: Album Review

Whirlpool with Ron Miles: Dancing on the Inside

Read "Dancing on the Inside" reviewed by Glenn Astarita

by Glenn Astarita

Venerable cornetist Ron Miles sat in with the core bass-less trio, Whirlpool during a 2013 live performance at a music venue in the hornist's hometown, Denver CO in 2013. As the story goes, this union resulted in synergistic output, leading to Dancing on the Inside. Guitarist Jeff Swanson advises that the “The music was written specifically ...

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Article: Profile

Raymond MacDonald: Man with Two Brains

Read "Raymond MacDonald: Man with Two Brains" reviewed by Duncan Heining

by Duncan Heining

By way of introduction... Saxophonist Raymond MacDonald is a busy man. He balances the life of a gigging, recording musician with a high-flying academic career and, in both respects, his reputation has grown far beyond his Glasgow home. As a musician, he is perhaps best known for his work with the George Burt/Raymond MacDonald ...

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Article: Book Review

The Long Shadow of the Little Giant: The Life, Work and Legacy of Tubby Hayes

Read "The Long Shadow of the Little Giant: The Life, Work and Legacy of Tubby Hayes" reviewed by David A. Orthmann

by David A. Orthmann

The Long Shadow of the Little Giant: The Life, Work and Legacy of Tubby Hayes Simon Spillett 376 Pages ISBN: #13 978 1 78179 1738 Equinox Publishing Ltd. 2015 Tenor saxophonist, author, and discographer Simon Spillett spent a decade writing The Long Shadow of the Little Giant: The ...

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News: Obituary

Paul Bley: 1932-2016

Paul Bley: 1932-2016

It is with deep regret that we share the news below from the family of the great Paul Bley: Paul Bley, renowned jazz pianist, died January 3, 2016 at home with his family. Born November 10, 1932 in Montreal, QC, he began music studies at the age of five. At 13, he formed the “Buzzy Bley ...

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Article: My Blue Note Obsession

Duke Jordan: Flight to Jordan - 1960

Read "Duke Jordan: Flight to Jordan - 1960" reviewed by Marc Davis

by Marc Davis

If this isn't a perfect hard bop record, it comes awfully close. And coming from an artist who is virtually forgotten, it's all the sweeter. Duke Jordan was an A-list pianist who was there at the birth of bebop. He was part of Charlie Parker's classic quintet in 1947. So why don't we know ...

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Article: Album Review

Ray Vega & Thomas Marriott: Return of the East-West Trumpet Summit

Read "Return of the East-West Trumpet Summit" reviewed by Dan McClenaghan

by Dan McClenaghan

Seattle-based trumpeter Thomas Marriott plays well with electricity. Specifically, with the Hammond B3 organ. The most memorable of his now nine CDs on Origin Records feature either the Hammond B3 or some serious Moog synthesier/Fender Rhodes work: Crazy: The Music of Willie Nelson (2007 ), with Ryan Burns on electric keys; Human Spirit (2009), featuring Gary ...

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Article: Extended Analysis

Everyone's Buzzin': The Complete Bee Hive Sessions

Read "Everyone's Buzzin': The Complete Bee Hive Sessions" reviewed by David Rickert

by David Rickert

The idea behind Jim and Susan Neumann's Bee Hive label was simple: gather together a bunch of great musicians for recording dates and let them play whatever they wanted. The sessions were led by talented musicians who may not have received the recognition they deserved in the jazz heyday of the fifties and early sixties -names ...


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