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Dialectical Imagination: Two Infinitudes; The One You "see" and the One That Is You.
by Glenn Astarita
Improvising artists, Eli Wallace (piano) and Rob Pumpelly (drums) recorded this outing for legendary UK-based jazz/avant-garde/free-improv record label, Leo Records. But they've been involved with free-jazz and other jazz activities for San Francisco Bay Area's, Edgetone Records amid various projects and encounters. Indeed, the band moniker, Dialectical Imagination, is significant from an opposing forces ...
Chucho Valdes: Jazz Bata 2
by Chris Mosey
With Jazz Bata 2, composer pianist and bandleader Chucho Valdés finally follows up on an experimental album he cut in Cuba in 1972. The subject matter of both records is the folklore and religious beliefs of the Yoruba slaves shipped to the Caribbean between 1770 and 1840. On Jazz Bata 2 Valdés' piano ...
Don Byron / Aruán Ortiz: Random Dances And (A)Tonalities
by Karl Ackermann
Two highly accomplished artists--one long-established, the other solidifying his legacy--are brought together on Random Dances And (A)Tonalities. This duo outing features clarinetist and saxophonist Don Byron and pianist Aruán Ortiz. The two gifted composers have been playing together, at Ortiz's initial request, since 2014 but in larger ensembles. In late 2017 Byron and Ortiz met in ...
Idris Ackamoor, A Musical Portrait
by Ludovico Granvassu
[If this program is unavailable in your country from Mixcloud, please scroll down and listen via the Soundcloud player embedded below.] This week we feature an exclusive interview with, and two hours of music by, Idris Ackamoor, the bay area saxophonist who will be making a much-anticipated U.S. tour in the coming days. ...
Winged Serpents: Six Encomiums for Cecil Taylor
by Karl Ackermann
The link between the late Cecil Taylor and the members of the Winged Serpents collective is one driven by admiration and inspiration, from a distance, rather than through collaboration. Taylor, in fact, had only shared billing twice in his half-century of recording. The Mary Lou Williams duet Embraced (Pablo, 1977) and Max Roach's 1979 recording of ...
Iluso Records: DIY from two dreamers
by Mark Corroto
Australian drummer Michael Caratti and Spanish-born New York-based guitarist Álvaro Domene founded the record label Iluso in 2013 to release their quartet recording Gran Masa. The pair found they shared similar interests while in school at Middlesex University in London. And why not put out their own music? That way they could control the content and ...
Val Wilmer: Dues And Testimony
by Ian Patterson
Free-jazz, which marked the first revolution in jazz since bebop, and, some might say, the most significant revolution in the entire history of the music, was controversial and divisive. Still today, over half a century later, free-jazz is sometimes dismissed out of hand as just so much noise, or worse, finds itself simply airbrushed from the ...
Tom Abbs & Frequency Response: Hawthorne
by Don Phipps
On his album Hawthorne, Brooklyn-based Tom Abbs showcases his mastery of several instruments and writing styles. Combining free, hard bop, world, and blues styles, Abbs's compositions juxtapose explosive exposés of new music with idioms that hearken back to ancient times. Abbs is joined by Jean Cook and Jenna Barvitski on violin, Brian Settles on ...
Gunter Baby Sommer: Baby's Party
by Mark Corroto
The music from the German duo of Günter Baby Sommer and Till Brönner is best described as gestural, meaning the pair utilizes posture and body movement to effect an oratory--in this case the somatic nature of Sommer's drum and percussion work and the flow of breath through Brönner's trumpet and flugelhorn. On the occasion ...
Meet Jacob Cartwright
by Tessa Souter and Andrea Wolper
Our August Super Fan is a visual artist with a special affinity for improvisational music, which has spilled over into his jazz-themed painting series. In jazz, as in art, Jacob Cartwright values the past while embracing the forward momentum of the new. Plus he's really “down with the jazz cats"--read on to see what we mean! ...
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